How I Voted (with thanks to Kriofske Mix)

A Separation
Asghar Farhadi's A SEPARATION

 

 

 

 

 

 

 

 

I’m borrowing this blog post idea from my friend Chris at Kriofske Mix.  As most of you know, I run an independent film society, the Chlotrudis Society for Independent Film.  Tonight marks our 18th annual Chlotrudis Awards Ceremony, when the winners of our 2011 awards are announced.  You’ll find out who won after tonight, but I am going to post my votes here as an addendum to my favorite films of the year.  Like Chris, I will also include some favorite choices that didn’t quite make this year’s ballot.  My choice in each category is in bold.

Ensemble Cast

Another Year
Artist, The
Margin Call
Midnight in Paris
Separation, A
Tinker, Tailor, Soldier, Spy

The Iranian film A Separation blew me away, and was my favorite film of 2011.  The mix of professional and non-professional actors did an outstanding job telling this challenging story in a visceral and emotional way.

Should have been nominatedMeek’s Cutoff.  Led by strong turns by Michelle Williams, Bruce Greenwood, Paul Dano and Shirley Henderson, this ensemble truly captured the pioneering spirit and the hardships of walking across this grand country.

Production Design

13 Assassins
Artist, The
Illusionist, The
Last Circus, The
Melancholia
Midnight in Paris

Lars von Trier’s Melancholia was sumptuous in it’s look and feel, from a grand, old estate tricked out for an expansive wedding, to the amazing experience of the end of the world, the production design on this film was mind-blowing.

Should have been nominatedHeartbeats.  Xavier Dolan’s Heartbeats vibrated with a hipster vibe and a colorful palette that truly captured the tangle web of young people in love.

Cinematography

13 Assassins
Artist, The
Bellflower
Cave of Forgotten Dreams
Melancholia
Tree of Life
Uncle Boonmee Who Can Recall His Past Lives

The dreamy camerawork capturing the jungles of Thailand, and the dream landscapes of Uncle Boonmee’s past lives create a surreal tapestry in the latest film by Apichatpong Weerasethakul.

Should have been nominated:  Weekend.  The intimate camerawork of Urszula Pontikos in Andrew Haigh’s Weekend works seamlessly with the charismatic performances of the two leads to create a believable portrait of two men meeting for a one-night stand and slowly falling love, or something very close to it over the course of a weekend.  From long hours in a cramped apartment to an evening in a traveling amusement park, Pontikos captures the feeling in the visuals perfectly.

Adapted Screenplay

Descendants, The
Hedgehog, The
Higher Ground
Music Never Stopped, The
Submarine

This adaptation of Carolyn S. Briggs’ memoir beautifully captures one woman’s struggle with faith.  The devout Christians in this community are three-dimensional, finely nuanced characters, and Corinne’s journey as she starts to question her faith is deftly and powerfully explored.

Should have been nominated:  I’m satisfied with the nominations we got.

Original Screenplay

Another Year
Guard, The
Martha Marcy May Marlene
Poetry
Weekend

Andrew Haigh’s screenplay for Weekend was beautifully scripted, although both Martha Marcy May Marlene and Poetry gave it a run for its money.

Should have been nominated:  I’ve got several films I would have liked to have seen nominated in this category; most notably Another Earth, The Future and Meek’s Cutoff – all amazingly original films that I loved last year, all of which didn’t get nominations for anything.  I also think the astounding screenplay for A Separation deserved a nod.

Supporting Actor

Christopher Plummer for Beginners
Jean-Pierre Darroussin for Havre, Le
John Hawkes for Martha Marcy May Marlene
Shahab Hosseini for Separation, A
John C. Reilly for Terri

No contest here for me.  Shahab Hosseini was riveting as a short-tempered man caught in a untenable situation.  The entire cast of A Separation was amazing, and I was glad to be able to vote for one of them in this category.

Should have been nominated:  I particularly enjoyed performances by Bruce Greenwood in the ensemble of Meek’s Cutoff – that man can play anyone – and Scott Speedman in Barney’s Version – he really captured the self-destructive, suicidal artist/writer perfectly.

Supporting Actress

Lesley Manville for Another Year
Shailene Woodley for Descendants, The
Frances Fisher for Janie Jones
Kristin Scott Thomas for Love Crime
Kim Wayans for Pariah
Melissa Leo for Red State

Most of my choices didn’t make the ballot in this category, and while Lesley Manville and Kim Wayans were incredibly strong in their respective roles, it was Frances Fisher, in a single scene of Janie Jones that stuck with me the longest.

Should have been nominated:  My choices in this category were radically different, but my top choice for this category would have been Amy Ryan in Win Win.  She is such a natural and gifted actress, and in this film she perfectly captured the New Jersey housewife without coming off as a stereotype.  Other standouts in this category include Sarah Polley in a brief but memorable role in Trigger, Charlotte Gainsbourg in Melancholia, and Sarah Paulson in Marcy Martha May Marlene.  Additionally, I saw Take Shelter after nominations were submitted, but had I seen it earlier I would have been hard-pressed to leave Jessica Chastain’s sublime performance out of this list.

Best Actor

Jean Dujardin for Artist, The
Javier Bardem for Biutiful
Chris New for Weekend
Stellan Skarsgard for Somewhat Gentle Man, A
Michael Shannon for Take Shelter
Tom Cullen for Weekend

I was sure I was going to go for one of Weekend’s superb leads, and I was leaning toward Chris New, but after seeing Take Shelter late in the game I was blown away by Michael Shannon in the underrated Take Shelter.

Should have been nominated:  Alessandro Nivola is an underrated actor, and his rock ‘n roller who discovers he’s got a teenaged daughter was beautifully handled in Janie Jones.  Stephen Spinella also put in a terrific comic turn in Rubber.

Best Actress

Berenice Bejo for Artist, The
Elizabeth Olsen for Martha Marcy May Marlene
Kirsten Dunst for Melancholia
Adepero Oduye for Pariah
Jeong-hie Yun for Poetry
Tracy Wright for Trigger

This was a very difficult decision, with powerful performances all around.  Adepero Oduye nailed in in Pariah, and Jeong-hie Yun conveyed so much in Poetry, but Tracy Wright not only got the sentimental vote from me, but it was a career high for the incredibly talented actress.

Should have been nominated:  You know I love my actresses, and there were a handful of extremely worthy contenders that didn’t make it.  Britt Marling was astounding in the overlooked Another Earth, as was Michelle Williams in the similarly skipped over Meek’s Cutoff.  Trieste Kelly Dunn really shone in the tiny indie Cold Weather, but my top choice for this category was Vera Farmiga – so perfectly understated and three-dimensional as a woman questioning her faith in Higher Ground.

Best Director

3 Assassins
Another Year
Artist, The
Martha Marcy May Marlene
Melancholia
Separation, A

No contest here either.  A Separation was my top film of 2011, as director Asghar Farhadi was a master at bringing this uncomfortable story to the screen.  There isn’t a misstep in this film.

Should have been nominated:  I have a short list of directors that should have made this list including Bruce McDonald for Trigger, Miranda July for The Future, and Aki Kurismkai for  Le Havre, Vera Farmiga for Higher Gound, but my top choice for director that was overlooked was Kelly Reichardt who really showed her mastery of the art in Meek’s Cutoff.

Best Documentary

Bill Cunningham New York
Buck
Into the Abyss
Pina
Senna
Topp Twins: Untouchable Girls

I waffled between Buck and Topp Twins: Untouchable Girls but ultimately I couldn’t resist Buck‘s powerful, charismatic pull

Should have been nominated:  No problems with this list.

Best Movie

Another Year
Artist, The
Pariah
Poetry
Weekend

 All great films, but it had to be Weekend for me.  This intimate portrait of two men meeting for a one night stand then unexpectedly falling in love over the course of a weekend as natural and exquisite.
Should have been nominated:  It should come as no surprise from my earlier comments that Another Earth, Higher Ground and Meek’s Cutoff were all on my list of Best Movie contenders.  But the biggest omission in my opinion was my number one film of 2011, A Separation.
Buried Treasure
Arbor, The
Littlerock
These Amazing Shadows
Trigger
Uncle Boonmee Who Can Recall His Past Lives
What a tough choice this year.  All of the films were terrific, and with the exception of These Amazing Shadows which just didn’t meet the heights of the other four, I could have gone with any of them.
Should have been nominated:  I was charmed by the brother/sister story of Cold Weather and would have liked to have seen it in this category.

My #1 Book Read in 2011!

My New Year resolution for 2012 is to read more.  While I felt that I didn’t read enough in 2011, after creating my top 15 books of the year, I see that I read quality.  Obviously, I couldn’t quite limit myself to a Top 10, and I had a hard time ranking the books I loved.  (When a Stephen McCauley novel doesn’t end up in my Top 10, you know the competition is fierce!)  I do have to say that I’ve got a pretty terrific job.  Looking at my list of top books of the year, I have met twelve of these talented writers because of that job.  I am constantly exposed to hundreds of really great books; so many that I just can’t read them all!  But I’d sure like to try.

Before I announce my #1 book of the year, here is a quick recap of #’s 2 – 15

15. The Leftovers  by Tom Perotta

14.  We the Animals by Justin Torres

13.  Half Empty by David Rakoff

12.  The Babysitter Murders by Janet Young

11.  Insignificant Others by Stephen McCauley

10.  For the Win by Cory Doctorow

9.  The Family Fang by Kevin Wilson

8.  Everything Beautiful Began After by Simon van Booy

7.  The Flight of Gemma Hardy by Margot Livesey

6.  Out of Oz by Gregory Maguire

5.  Faith by Jennifer Haigh

4.  The World We Found by Thrity Umrigar

3.  The Language of Flowers by Vanessa Diffenbaugh

2.  The Bards of Bone Plain by Patricia A. McKillip

And…

State of Wonder#1 – State of Wonder by Ann Patchett

Patchett takes us from Boston to the deepest hidden realms of the Amazon in this layered, haunting tale of biomedical exploration and the search for ourselves. Outstanding writing is Patchett’s hallmark in this intricately layered novel. Deep, complex strands of narrative all come together beautifully and characters, both main and incidental are fully explored and brought to life. This is a masterful work.  I’ve only read one other book by Patchett, Run, which I also love.  This book just grabbed me instantly and wouldn’t let go.  I read it on a trip to the Canary Islands and was totally absorbed as I sat by the pool and sipped cocktails.  The relationship between the two central characters is complicated, challenging, multi-layered and a joy to read.  It’s one of the things I love about fiction as opposed to other media; that two women are allowed to have the central roles and be explored.  This one took me completely by surprise, and while I’m late to the table, I’m sure glad I’ve discovered such a commanding writer.

My Top Books Read in 2011 #’s 2 & 3

The Language of Flowers#3 – The Language of Flowers by Vanessa Diffenbaugh

This superb debut novel explores the depths of human emotion and family. Victoria is a troubled young woman. Passed from foster home to foster home until finally deemed a lost cause, she finally gains her freedom at age 18. But she is an emotionally damaged person whose only interest is the language of flowers, a Victorian construct where people learned to communicate using the meanings of flowers. Victoria’s journey through childhood, and as a young adult on her own is heartbreaking and fulfilling. Vanessa Diffenaugh tells this story with a mastery that is thoroughly rewarding.  Picked up this galley at BookExpo 2011 and was intrigued after hearing the author speak at a breakfast meeting, but had no idea it would end up being one of my top books of the year.  Powerful and emotionally resonant.

 

The Bards of Bone Plain#2 – The Bards of Bone Plain by Patricia A. McKillip

Like the bards in her novel, Patricia McKillip enchants readers with her lush, lyrical writing. Alternating between two stories, one set generations ago, the other in this world’s modern day, Patricia tells the tale of two competitions to choose the kingdom’s bard. The first ended in tragedy, and it looks like the second is heading the same way. Patricia is at the top of her game with this novel that drips with magic, romance, mystery, and history. At first I was surprised to find this genre title appearing to high on my list of top books read for the year, but when you’ve got a writer like McKillip, whose use of language exquisitely rises above even an admittedly imaginative and rich story to dizzying literary heights, it’s no surprise at all.

My Top Books Read in 2011 – #’s 4 & 5

Faith#5 – Faith by Jennifer Haigh

Talented author Jennifer Haigh tackles the Catholic priest abuse scandal with grace and skill. She brings to bear her forte of familial relationships to a splintered family living south of Boston. Don’t be put off by a subject that you might have heard enough of, Haigh’s take is refreshing and powerful.   After reading two of Jennifer’s novels, this one and the outstanding 2008 work, The Condition, it’s clear this is an author to be reckoned with.  I look forward to going back and reading some of her earlier work, even as she moves forward to tackle ever more-complicated and powerful subjects.

 

The World We Found#4 – The World We Found by Thrity Umrigar

Thrity Umrigar’s The World We Found is a powerful look at four Indian women who shared a galvanizing and complex friendship during college and are now facing mortality some thirty years later when one of their number is discovered to have cancer and given months to live. While the three who remain in India do what they can to reunite and travel to America to see their stricken friend, the depth and complications of their relationships are revealed. Thrity doesn’t just give us four wonderfully drawn women in this novel, she creates a couple of surprising male characters as well. And in what is perhaps most surprising, a story about bringing four friends back together after decades evolves into something so much more – a lost woman’s liberation. Bravo, Thrity! The World We Found is a fantastic book!