JELLYFISH won the Golden Camera, and the Screenwriter’s Award at Cannes in 2007 when I saw it at the Toronto International Film Festival, but it was little seen here in the States. The theme of JELLYFISH is disappointment. There are three central stories in JELLYFISH, involving three young women living in Israel. All three of these women have suffered severe disappointments, the first years ago during her childhood, another just a day ago at her wedding. Batya lives alone in a rundown apartment, working as a waitress for a wedding caterer and continuously being overlooked by her parents. Joy is a Filipina domestic who doesn’t speak Hebrew and is trying to raise enough money to return to the Philippines to be with her young son. Keren is just married to Michael, but their honeymoon has been curtailed after she ends up in a cast at an embarrassing accident at their reception. The three women’s stories intersect at various points of the film, and it isn’t until the conclusion that the theme of the film unfolds.
Directors Geffen and Keret employ gentle magical reslism, most notably in the form of a mysterious little girl who appears from out of the sea to Batya and leads her without speaking to a path of realization. To tell anymore of the plot would surely take away from the enjoyment of watching things play out while enjoying the film. This is a delightful film, worthy of the accolades it has already achieved, and definitely worth the time of anyone to see it.