
It’s already April and I’m finally getting to my favorite films viewed last year. 2025 was a great year for independent film. While many have said otherwise, I was able to create a Top 40 film list all earning 4 stars out of 5 or more! Films I swore would be in my Top 10 for the year ended up much lower because of the number of particularly strong films I saw. And I saw a lot of 2025 releases. To be clear, this list is films I have seen that were released in 2025, not films I saw in 2025. It appears I watched 108 films released in 2025. I may have missed a couple, but it’s nice to break 100 again. Perhaps the first time since the pandemic kept us indoors in 2020 and 2021.
There were only two big budget studio films in my Top 40, Fantastic Four: First Steps and Is This Thing On? Last year’s big Oscar winners didn’t fare all that well with me, with One Battle After Another hitting at #72 (and I actually enjoyed this film well enough), and Sinners at #86. The other big superhero flick, Superman came in at #87. Below are the films I ranked #31 – 40, with a few honorable mentions below.

#31) Jazzy – In Morissa Moltz’s sequel of sorts to her lovely debut narrative, The Unknown Country explores the passage from childhood to young adulthood, as Jazzy must deal with her best friend moving away. As in her previous films, Maltz melds narrative and documentary, and features a great cameo from her last film, Lily Gladstone.
#32) The Testament of Ann Lee – Mona Fastvold’s big swing scores a double, I guess, with her ambitious and massive telling of Ann Lee, the woman who founded the Shaker movement. The first half of this film was a bit scattered, and dragged, but once the family and movement left the UK for the colonies, things really took off. The music and choreography were outstanding, those extended sequences really pulling the viewer into the worship of the community. Amanda Seyfried, Thomasin McKenzie, Lewis Pullman, and Christopher Abbot give strong performance. This is a unique and powerful story told by a bold new voice who co-wrote and produced The Brutalist.

#33) Oceans Are the Real Continents – Three stories focusing on residents of different generations living in the inland town of San Antonio, Cuba illustrate separation in this gorgeous and poignant debut feature from Italian writer/director Tommaso Santambrogio. Alex and Edith are a young couple in their 20’s both theatrical artists, who face a critical turning point when Edith receives the opportunity to go to Italy and has no intention of returning. Frank and Alain are childhood pals who dream of becoming famous ball players for the New York Yankees, living with their families in neighboring mansions despite the real threat of Frank’s family emigrating to the U.S. in the near future. Milagros is solitary woman in her later years still mourning the loss of her husband in the Angola War years in the past. The three stories all take place in the same town, but they rarely intersect, and even then only incidentally. Yet they tell the story of Cuba in a profoundly moving way, highlighted by the stunning black & white cinematography. Sound Design is also stunning with the wind morphing into the ocean tides, then once more into a burning car in a marvelous sequence. All the characters are played by non-actors, and do a stellar job; a tribute to this new director’s skills.
#34) The Secret Agent – There’s a lot to like about Kleber Mendonça Filho’s latest film, but there’s not enough to rank it higher on this list. Filho is an interesting and accomplished filmmaker, and his latest, a look back on a widower being persecuted by government officials for some unknown reason in a small Brazilian city highlights some of his strengths. However, the excessive running time, and the bizarre use of his over-the-top, cartoonish violence (something that really detracted from Bacarau as well) disrupted the tone and effectiveness of the film. Great performance from lead actor Wagner Moura, and the supporting, ensemble cast is one of the best of the year. Filho’s use of his home city is always fascinating. This film really used place so effectively. The fascinating reveal focusing on the young researcher looking at news archives was beautifully done.
#35) No Other Choice – A little too long, and while necessary, the first third of the film drags a little, but when things start popping, the film really leans into the absurdity, and that’s a good choice. The screenplay is taut, great to see Don McKellar involved. Superficially fun, but it has depth as it explores class divisions and the capitalist struggle to succeed. But then, that is director Park Chan-wook’s bread and butter, and he brings it to the fore beautifully with both humor and dread.
#36) Train Dreams – Gentle storytelling of a man’s long life, with moments of incredible beauty, alongside devastating loss and senseless violence. Clyde Edgerton is very strong as our subject, Robert, with lovely supporting roles from Kerry Condon and William H. Macy. Sadly, the film didn’t resonate as much with me as it should have given that it’s really my kind of film. When Kerry Condon’s character appeared, she injected such a beautiful, vibrant energy into the film I just kept hoping she would return. Cinemtography was beautiful, with the forest being such a huge part of the film. Nice racial and ecological themes running throughout. Director Clint Bentley and co-writer Greg Kwedar were the team responsible for 2024’s powerful Sing Sing, and they certainly do know how to tug the heartstrings.

#37) Dead Mail – This was a surprise, and I wish it could have fought it’s way higher up my list! Taut, well-produced thriller with a low budget, but well-written and fascinating characters. Writer/directors Joe DeBoer and Kyle McConaghy have created an original suspense/horror flick around the dead letter office at the post office, with a backdrop of synthesizer geeks. The cast is terrific, especially Tomas Boykin who plays a great protagonist unlike the usual fare, and when he disappears abruptly from the film his absence hits hard. Great tone throughout. Well worth a look!
#38) A Nice Indian Boy – Naveen is part of a nice, traditional Indian family, but as a gay man with a non-traditional sister, things don’t always run so smoohtly. When he brings his iancé Jay home to meet the parents, can they accept his white orphan boyfriend into the family? Director Roshan Sethi, working with a screenplay by Eric Randall, adapted from a play by Madhuri Shekar, amps up the family drama, the over-the-top hijinks of planning the perfect Indian wedding, Jay’s sweet patience, ad Naveen’s amusing neuroticism to create a fun-filled movie. Karan Soni and Konathan Groff are adorable and engaging as the trying-to-be-happy grooms-to-be.
#39) Familiar Touch – Kathleen Chalfant owns every scene in this gently exquisite film directed beautifully by Sarah Friedland. It tells a story about aging and memory that is both comforting and immutably sad. The sad history of the film revealed that David Lynch mainstay actress Grace Zabriske was developing this film with Friedland intending to play the lead, but her own growing dementia prevented her from playing the part. While Chalfant made the role seem effortless and powerful, I would have loved to see Zabriskie tackle the role.

#40) September 5 – Skirting the line between independent and Hollywood films (Paramount invested some into the production that was mostly funded independetly) Tim Fehlbaum tellsw a riveting story about journalism. The film is a straight-forward, well-made political thriller about the terrorists who took 11 Israeli participants at the Munich Olympics in 1972 hostage, and the live news coverage of these events by ABC. Peter Sarsgaard, John Magaro, and Ben Chaplin are all well-known, strong actors who bring the real life individuals to life. I was particularly pleased to see a terrific performance by Leonie Benesch (The Teachers’ Lounge) in a pivotal role.
Honorable Mentions: Suze, An Unfinished Film, Bob Trevino Likes It, I’m Still Here, Father Mother Sister Brother, Viet and Nam, Ponyboi, To Kill a Wolf, The Girl with the Needle, Invention, The Practice, D(e)AD







