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Gaiman Spins a Dark Fantasy for Kids

CoralineMy reading theme for vacation last week was catching up with books being adapted into films. Neil Gaiman’s dark fantasy for youth is called Coraline, and it tells the tale of a girl who stumbles upon a terrifying nightmare world right next to her own in the last couple of weeks of summer vacation. Think back to your childhood; think back on your summer vacation. For many, the last couple of weeks in August herald a transition time. The summer is starting to get a little boring, and while your mind was once occupied with exploring, playing, dreaming, now thoughts turn excitedly toward school. Such is the case with Coraline. Her parents don’t have time to keep her entertained, and while the eccentric tenants who live in the other parts of her building provide curious diversions, they aren’t quite enough. One day Coraline discovers that the door in the study which usually opens to a blank brick wall now opens to a long, dark tunnel. What else is there to do in the dog days of summer but explore the tunnel?

What Coraline finds is a strange world where her other-mother and other-father live. The eccentric tenants are represented as well, as is the aloof, black cat that lives out in the yard. The people are interesting, but a little off-kilter, and instead of eyes, black buttons stare unblinkingly form their faces. For the better part of a day, Coraline enjoys exploring this new, strange world, but when it comes time to leave, Gaiman’s fable takes a decidedly dark turn. In the days leading up to school, Coraline must fight for her soul, the souls of the children who have come before her and the lives and souls of her parents.

Gaiman spins a tale reminiscent of the fairy tales of youth. There is something safe and comforting about them even as the plucky heroine faces chilling and very-real danger. Here’s hoping Coraline makes for a good film-adaptation, and since it is animated, the visuals will surely have a huge impact on its success. The film is currently in post-production and is scheduled for release next year. It will feature the voice of Dakota Fanning as Coraline, Teri Hatcher as her mother (and her other-mother), and the brilliant Dawn French and Jennifer Saunders as two of the neighbors. This is a quick read, and I highly recommend it.

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Preparing for the Film Release

BlindessJosé Saragamo’s Blindness was the winner of the 1998 Nobel Prize for Literature. As the inhabitants of an unnamed city go blind one by one, the very fabric of society begins to decay until it is transformed into an animalistic morass of survival. That is the premise of Saramago’s intensely powerful and challenging novel. The core of the story revolves around seven people, among the first to go blind, along with a doctor’s wife who for some reason never loses her sight, but keeps this fact hidden from all save her husband.

Saramago explores how the removal of sight causes the destruction of the social structure. Even before the entire community goes blind, the government, fearing (rightly) an epidemic, quarantine all the blind under inhumane conditions. Yet as the worst of human society emerges, so too does compassion and cooperation, as we follow the seven main characters and watch as they form their own family to insure their survival.

Blindness is not a beach-reading novel that you can flip through in a day. It require concentration and reflection. Saramago pulls the reader into some pretty horrific situations as some of the downtrodden take advantage of others. With the character of the doctor’s wife, the sole sighted person in a city filled with the blind, Saramago creates a character both helpless and with great responsibility to those around her. It’s an insightful allegory to our world today.

I decided to read Blindness after finding out that it has been adapted for the screen by writer/director/actor extraordinnaire, and my pal, Don McKellar. It’s sure to be a harrowing experience.

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Engrossing Fantasy of the Highest Caliber

Shriek: an afterwordWhenever I am going to meet an author I try to read some of their work beforehand. At ALA this year I attended a dinner with Jeff VanderMeer, and on the plane to DC I started reading his latest fantasy novel Shriek: An Afterword. I only made it through the first 100 pages of so before meeting him, but I could tell there was quite a bit of talent in the man.

Shriek: An Afterword is of that fantasy genre that I don’t often read: alternative histories that may or may not be earth. It is also a biography of sorts of the Shriek siblings, Duncan written by his older sisterS Janice. Likewise it is a “biography” of their strange city, Ambergris. In Shriek, Janice is looking back on her life and writing an afterword for one of her historian/writer brother’s books. The Shriek’s lives were marked by the sudden death of their father after receiving the announcement that he had won a prestigious literary award, when they were children. Is this event the one that started Duncan down the path of an obsessive historian with radical theories perhaps too outlandish for others to fathom? And is this why Janice longs for recognition even while self-destructively indulging in every pleasure imaginable? The Shrieks eventually become fixtures in Ambergris’ culture, both reaching populist heights and tragic lows.

The river-city of Ambergris itself is perhaps the most potent character in the novel. Think of a grand, decaying New Orleans, complete with an underground city of quasi mushroom dwellers known as Gray Caps and you might get a sense of what Ambergris holds. Duncan’s obsession focuses on the Gray Caps and his first work, Cinsorium: Dispelling the Myths of the Gray Caps becomes a best-seller. During his research, Duncan uncovered hints of dark secrets connecting the Gray Caps to an horrific event that nearly destroyed the city years back. He also picked up a bizarre fungal condition that remained with him for the rest of his life. Janice unspools the pair’s story with tantalizing hints of their fate, augmented by notes from her brother, sometimes reinforcing, sometimes contradicting what she writes. It is a fascinating and compelling addition to the city’s lore.

VanderMeer has created a masterfully detailed, complex, fantastical novel, so utterly and darkly creative. The voices of Janice and Duncan are unique and true, revealing their all-too human flaws even while endearing them to the reader. Shriek: an afterword calls to mind Mary Gentle’s glorious White Crow novels, Rats & Gargoyles and Architecture of Desire in its gloriously giddy sense of the historical and the fantastic. This was one absorbing and entertaining read.

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Gaiman… a Greek God?

Neil GaimanYeah, he’s a NYT best-selling author, and he’s the rock-star of comic book writers, but what does having a piece in Time magazine mean in the zeitgeist of popular culture? Neil Gaiman’s got his first Hollywood film adaptation of his writing, the fantasy novel Stardust. Time discusses the potential for Neil’s level of fame to be on the verge of exploding… moving from that level of cult appeal to a more mass appeal. It’s so strange, because on some levels, Neil’s popularity seems enormous already, yet in a way, by its very nature (and despite a few best-selling novels) stemming from comics and living in the fantasy genre, some might label it cult appeal. Well, I’ve been a fan of Gaiman’s since his “Black Orchid” miniseries for DC, and predictably, I’ve had a bit of a crush on him as well. In addition to his talent, he’s awfully cute. But whether you’ve read his work or not, if you’re a blog reader and you haven’t checked out his journal, you probably should. It’s one of the better ones. I wonder how he does it?