Memes – Just Giblets

May 11, 2014

Little Seen Film of the Day – Last Life in the Universe

Surreal and dreamlike, Pen-Ek Ratanaruang’s LAST LIFE IN THE UNIVERSE features strikingly memorable imagery and strong performances by leads Tadanobu Asano, Sinitta Boonyasak, and Laila Boonyasak. Asano is our central character, a librarian named Kenji, who is trying to commit suicide but is continuously interrupted until he ends up bonding with Noi, whose twin sister Nid is killed in a horrific car accident. Kenji’s self-absorbed brother Yukio is yakuza — a Japanese gangster, has slept with his employer’s daughter and now has an assassin on his tail. All this action also involves Noi and Nid, but when Nid is killed in the accident, Noi and Kenji spend time in Noi’s disastrously unkempt beach house. Kenji spends his time cleaning the house, which Noi perceives as the house cleaning itself, but the two gradually fall in love until life, in form of the yakuza, intrude in their pseudo-idyllic fantasies.

I had seen Ratanaruang’s previous film, MONRAK TRANSISTOR, which was a wild, surreal musical, but he pulls it all together for LAST LIFE IN THE UNIVERSE, which, while difficult to follow the plot, and decipher what is real and what is fantasy, comes together visually and emotionally as a powerful, and satisfying film. Both Asano and Sinitta Boonyasak were nominated for Chlotrudis Awards for their roles, as was the film and the director, but on the whole, the American public missed this bizarre film completely. Highly recommended.

May 10, 2014

Little Seen Film of the Day – Kitchen Party

Revolving around two very different yet linked parties, Gary Burns’ sophomore film, KITCHEN PARTY cannily depicts the behaviors of suburban teens, and the more bitter and biting actions of their parents. Scott decides to throw a party while his parents are out at a party of their own. The problem is, Scott’s compulsive mother, whose discrete vacuum pattern on the carpeting is deliberate, and would be telling if the party spread any further than the kitchen, hence the film’s title. The party includes Scott’s friends, hanging out, drinking, and the usual teen antics, and his girlfriend, Tammy, who plays a dangerous adolescent game flirting openly with Scott’s arch-nemesis, his brother Steve, who spends hours in the basement listening to loud rick & roll music.

Across town, several of the kids’ parents get together, get a little drunker than their kids, and things get even messier. Their party runs a fine balance between the inadvertent, and yet pop-culture symbolism of over-sharing, and the sad fact that these people have very little to say to each other. Instead, a fight ensues when Scott’ father suggests that another’s parent’s child is gay. Naturally events at both parties spiral out of control, and it all wraps up with a terrifically absurd finale that seems somehow fitting.

KITCHEN PARTY features a young Scott Speedman in the lead role, who has gone on to enjoy a busy career in indie and Hollywood films, and television as well. Girlfriend Tammy is played by Laura Harris, who also gained steady work including a lengthy stint on the television show “24.”

May 9, 2014

Little Seen Film of the Day – Hollow Reed

HOLLOW REED is a tough, British, family drama from 1996 about child abuse. Oliver lives with his mother Hannah, and her boyfriend Frank. He still spends time with his father, Martyn, a general practitioner, who becomes suspicious of Frank after Oliver suffers a series of mysterious injuries which he cannot adequately explain. Eventually, Martyn is convinced of Frank’s abuse, despite Oliver’s silence, and Hannah’s refusal to believe such a thing, and he begins legal proceedings to obtain sole custody. At this point, Hannah’s lawyer brings up Martyn’s gay relationship with Tom to prove that he is an unsuitable father figure.

Director Angela Pope brings up a lot of tough and frustrating issues in this well-constructed film written by Neville Bolt and Paula Milne. Hal Hartley alum, Martin Donovan, is remarkable, British accent and all, as Martyn, a role quite unlike what he’d played to that point. The rest of the cast, including Joley Richardson, Ian Hart and Jason Flemyng are all outstanding, especially young Sam Bould as Oliver, whose stoic, silence is powerfully offset by the hurt, fear, and confusion in his eyes. It’s unfortunate that Pope’s filmmaking career didn’t go much further than this powerful film.

May 8, 2014

Little Seen Film of the Day – Suspicious River

This Canadian drama directed by Lynne Stopkewich (who made another great little seen film, KISSED) was based on a novel by Laura Kasischke. It’s a harrowing tale of sexual dysfunction and violence centered on Leila, the hotel desk clerk of a remote roadside hotel. Leila offers the hotel customers sex in exchange for money, and through this activity she meets Gary, who gets pretty rough with her during their first encounter. When he returns to apologize, she accepts, finding that she enjoys being roughed up during sex. Through a series of events, Leila and Gary grow closer, and her trust in him grows.

Leila’s only confidante is a young girl who plays around the inn. This girl comes from a difficult family life and Leila is drawn to her. As the film spirals to its intense climax, hidden secrets are revealed and Leila finds herself in deadly danger. A revelation from her past shines light on her recent destructive behavior and she must fight for her life.

Stopkewich tackles pretty heave subject matter, and the film’s star, Molly Parker shows in this early film in her career, that she’s not afraid to tackle yet another taboo subject. She turns in a powerful performance in this surreal and difficult film.

May 7, 2014

Little Seen Film of the Day: Jellyfish

JELLYFISH won the Golden Camera, and the Screenwriter’s Award at Cannes in 2007 when I saw it at the Toronto International Film Festival, but it was little seen here in the States. The theme of JELLYFISH is disappointment. There are three central stories in JELLYFISH, involving three young women living in Israel. All three of these women have suffered severe disappointments, the first years ago during her childhood, another just a day ago at her wedding. Batya lives alone in a rundown apartment, working as a waitress for a wedding caterer and continuously being overlooked by her parents. Joy is a Filipina domestic who doesn’t speak Hebrew and is trying to raise enough money to return to the Philippines to be with her young son. Keren is just married to Michael, but their honeymoon has been curtailed after she ends up in a cast at an embarrassing accident at their reception. The three women’s stories intersect at various points of the film, and it isn’t until the conclusion that the theme of the film unfolds.

Directors Geffen and Keret employ gentle magical reslism, most notably in the form of a mysterious little girl who appears from out of the sea to Batya and leads her without speaking to a path of realization. To tell anymore of the plot would surely take away from the enjoyment of watching things play out while enjoying the film. This is a delightful film, worthy of the accolades it has already achieved, and definitely worth the time of anyone to see it.