Cloud Nine

Javier Bardem - 9 is not a rating, it’s his next filmMichael told me about this the other day, but it never really sank in until I read on Everything I Know I Learned From Musicals that Javier Bardem has been cast as Guido Contini in the film version of Nine. (For non-theatre people, Nine is a musical based on a film by some unknown director named Fellini. But it’s a half-number better.)

In his blog post, Chris rightly points out that it’s hardly an issue if Javier can’t sing beautifully — dude’s hot. Who cares? (Wait, did you say there were some women in the movie too?)

But my real question is this: Why do Spanish-speaking actors keep getting cast in this Italian role? Raul Julia, Antonio Banderas, Javier Bardem. WTF? Not saying they can’t do it, of course. I just have this feeling that it seems “close enough” for America. (Zhang Ziyi in Memoirs of a Geisha, anyone?) Eh, could be worse. Could be Mickey Rooney as a Chinese landlord.

Preparing for the Film Release

BlindessJosé Saragamo’s Blindness was the winner of the 1998 Nobel Prize for Literature. As the inhabitants of an unnamed city go blind one by one, the very fabric of society begins to decay until it is transformed into an animalistic morass of survival. That is the premise of Saramago’s intensely powerful and challenging novel. The core of the story revolves around seven people, among the first to go blind, along with a doctor’s wife who for some reason never loses her sight, but keeps this fact hidden from all save her husband.

Saramago explores how the removal of sight causes the destruction of the social structure. Even before the entire community goes blind, the government, fearing (rightly) an epidemic, quarantine all the blind under inhumane conditions. Yet as the worst of human society emerges, so too does compassion and cooperation, as we follow the seven main characters and watch as they form their own family to insure their survival.

Blindness is not a beach-reading novel that you can flip through in a day. It require concentration and reflection. Saramago pulls the reader into some pretty horrific situations as some of the downtrodden take advantage of others. With the character of the doctor’s wife, the sole sighted person in a city filled with the blind, Saramago creates a character both helpless and with great responsibility to those around her. It’s an insightful allegory to our world today.

I decided to read Blindness after finding out that it has been adapted for the screen by writer/director/actor extraordinnaire, and my pal, Don McKellar. It’s sure to be a harrowing experience.

I think I’m glad Joss Left the Wonder Woman Movie?

Joss WhedonThe A.V. Club has a great interview with Joss Whedon, creator of the television series Buffy the Vampire Slayer, and the television series turned movie, Firefly/Serenity. I’ve been trying to get Joss to come to the Massachusetts Library Association’a annual conference for the last couple of years, but other than a couple very curt e-mail message from his assistant’s assistant, haven’t had any luck yet. Don’t you think Joss would rock at a library conference? He has created the hippest librarian ever in Buffy’s Watcher, Giles. (Okay some might argue – myself included – that Oracle/Barbara Gordon/formerly Batgirl is the hippest librarian ever.)

Recently Joss has been doing some comic book work, including a new “season” of Buffy in comic form, and for Marvel, Astonishing X-Men. Over the past year or so, Joss has also been working on the movie version of Wonder Woman, something that had me brimming with potential excitement (with Joss on board, the movie’s gotta get made!). Of course, anyone who knows anything about movie development knows it can be hell, and even if you’re Joss Whedon, there are times when you’ve just got to throw in the towel. Apparently the Wonder Woman people just didn’t buy Joss’ concept for the film and after a lengthy period of frustration, Joss decided to give it up and leave the project.

Surprisingly, upon reading this interview with Joss, I think I might be happy that he’s leaving the Wonder Woman film. Here’s an excerpt from the interview where he discusses his concept:

“Well, I’ll tell you one thing that sort of exemplifies my feelings. The idea was always that she’s awesome, she’s fabulous, she’s strong, she’s beautiful, she’s well-intentioned, she thinks she’s a great big hero, and it’s Steve Trevor’s job to go, “You don’t understand human weakness, therefore you are not a hero, and you never will be until you’re as helpless as we are. Fight through that, and then I’ll be impressed. Until then, I’m just going to give you shit in a romantic-comedy kind of way.”

Wonder WomanNow, I try to reserve judgment on a film or any sort of entertainment until I actually see the finished product, and perhaps if Joss had ever made the Wonder Woman film I would have loved it (a good chance of that, actually, since I do enjoy lots of his work). That said, and as an avid reader of the Wonder Woman comic, that concept sounds like a really bad idea to me. Still, I guess we’ll never know, and I suppose it would have been nice for Joss to prove me wrong and make something really cool for the WW movie.

Anyway, fans of Joss should definitely check out the interview.

Is Helen Slater Revisiting Supergirl?

Helen SlaterDo you know who the lovely lady pictured at left is? (Okay, I’m betting that the title of this blogpost gave it away.) Who here has thought of Helen Slater recently? Well, as the proud owner of the SUPERGIRL DVD, I surely recognized Helen Slater’s name when it appeared in this Newsarama blogpost. Helen Slater and several of her films are surely some of my guiltiest pleasures, in fact, I challenge you to find anyone who has seen and for the most part enjoyed, all of Helen Slater’s first five feature films: SUPERGIRL, THE LEGEND OF BILLIE JEAN, RUTHLESS PEOPLE, THE SECRET OF MY SUCCE$S, and STICKY FINGERS. After that (okay, some might say sometime in the middle of that) Helen’s film career took a downward turn, but I just found out that she has been doing some respectable television work of late, including episodes of “Seinfeld,” “Will & Grace,” “Boston Public,” “Law & Order: Special Victims Unit,” “Grey’sHelen Slater as Supergirl Anatomy,” and “Crossing Jordan.” Now Newsday.com reports that Helen may play Supergirl’s aunt in upcoming episodes of “Smallville!” How cool is that?

What’s even cooler is that I have discovered that Helen has her own website, and that she has released not one, but two CDs as a singer/songwriter/pianist. Also, in keeping with her heroic origins, Slater and Jake Black, a comic-book writer from “Smallville” magazine, have submitted a Supergirl pitch for DC Comics. Now that’s something I’d love to see.

Halfway Through the Movie Year

Chris beat me to it, but as it’s halfway through the year, I thought I’d report in on my favorite films of 2007 so far. It’s been a strong year for film so far. When I did my first cut for my top 10 so far, I came up with 15 films. Of course, I am including films that I saw at Film Festivals as well as general release. Usually the fall brings an influx of strong independent film so theoretically there will be lots of exciting film to come. That and the Toronto International Film Festival in September will certainly change the landscape of my top films. You can find reviews for many of these films at the Chlotrudis Society for Independent Film site. And without further ado…

  1. Away from herAway from her
  2. Linda! Linda! Linda!
  3. Monkey Warfare
  4. Waitress
  5. Once
  6. Protagonist
  7. Climates
  8. The Secret Life of Words
  9. The Wayward Cloud
  10. The Lives of Others
  11. America the Beautiful
  12. Paprika
  13. The Bubble
  14. Brand Upon the Brain
  15. Colma: the Musical

It’s a great international showing so far, with ten different countries represented by the 15 films. After last year’s disappointing showing, Canadian films are represented three times, most notably in the 1st and 3rd spots. Four of the Top 1o films featured women directors, including the #1 film, and the top rated documentary.