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My Emm Gryner Top 40! #’s 1 – 5

Emm Gryner

Wow. Who knew, when I decided to put together my Top 40 Emm Gryner songs, (ONE YEAR AGO TODAY!!) that it would have taken me this long, and that my life would have changed to radically? And Emm’s songs have been with me this whole time, but as it stands lots has happened in the past several months which is way it’s been five months since I posted #’s 6 – 10.

In fact, in that time, I also spilled coffee on my laptop and lost my list, so I had to recreate my top 5! Turns out it wasn’t that difficult since… well, they’re my favorites. And in the battle between the perfect, heart-wrenching ballad, and the perfect, soul-stirring pop song, both of which Emm is a master, the pop songs win out, dominating the Top 5 (although one final ballad sneaks in at #5. It shows how two early Emm Gryner albums, Science Fair and AsianBlue clearly made me a huge fan decades ago, but her most recent makes a showing as well.

And now, without further ado, here are my top five favorite Emm Gryner songs! (At least for the past year…)

#5 – Stardeep (Science Fair)

The final ballad on a list with a lot of great ones. Emm sure knows how to write a heart-breaking ballad, this one driven by the assured strumming of an acoustic guitar that could come straight out of country song, until some piano power chords join in, and Enm’s fragile  vocals emerge to tell the tale of a lonely young woman in love with someone from afar, or perhaps unrequited. I love the pick up form the verses to the chorus too… And how about this gorgeous, heart-breaking lyric? “You used to be just a phase, now the sound waves rush to surround you.” Haven’t we all been there?

Funny story… the first time I saw Emm perform live, long before I ever met her, in a tiny student union room with an upright piano and a few couches at U Mass Amherst, she performed a few songs, then asked if anyone had any requests. I asked for Stardeep… she started, stopped, started again, then asked me how it started! Well, sadly, I froze, I couldn’t sing the first line for her… so I didn’t get to hear her perform it, and I still haven’t. Maybe one day!

#4 – Imagination (Only of Earth: Days of Games)

Taken from her most recent album, part one of a proposed concept trilogy, you can really hear the maturity in Emm’s song writing and artistry with this homage to 70’s prog-pop music. This one retains the incredible pop hooks and turns of melody of which Emm is a master, but she pushes her vocals to new heights as she layers bass, keys, guitars and drums beautifully into a lush throwback that is at the same time beautifully modern. You can hear the Bowie and Gowan influences here, two of Emm’s past collaborators, and check out this fantastic video! Really Emm, what a progression you’ve made as an artist. It’s exciting and amazing.

#3 – Beautiful Things (AsianBlue)

This one and the following #2 song are spiritual twins, both from AsianBlue, both confident, hook-laden pop songs. Beautiful Things starts with an a capella phrase, then the repeating, back and forth keyboard/guitar part drives us to a soaring chorus, .with a fabulous underscored acoustic guitar part. The contrast between the verses and the chorus is startling and heart-stopping. I love the sudden break in the third verse where the rhythm section drops away and Emm sings with the back and forth driving guitar/keys line.

I get the sense that it’s about two people reconnecting from years ago having drifted apart for various reasons, but finding that there is still something drawing them together. It’s pop perfection, something that Emm has in spades.  And check out bad-ass, rocker-chick Emm in this fantastic video!

#2 – Free (AsianBlue)

  1. Shimmery synths, a hip-hoppy backbeat, then a twisty, weaving bass line kick this glorious anthem off. Then a choppy, distorted guitar rips its way into the sing-songy melody (one of my favorite Gryner-tropes) before a soaring vocal swoops in, intercutting with the sing-song, and liberating the singer from a bad relationship. The sing-song part is the kiss-off to the ex, while the soaring melody is Emm’s declaration of freedom. Layered harmonies and electronic strings  build the song with a thrilling crescendo before an abrupt conclusion. I love how it’s clear the ex has got a hold on her, but she’s had enough and she just wants to be free. Truly one of the most empowering and joyous break up songs ever written. Take that Alanis Morrissette.

#1 – Disco Lights (Science Fair)

Disco Lights has the distinction of containing not just one, but two of my favorite lyrics of all-time: “You’re forgettable like 1993,” and “My psychic says I have until December and then it’s love, love, love.” From the moment I first heard this song, with this insanely catchy ascending chord progression in the verses and the insanely clever lyrics, I just choke up from the pop perfection of this song every time I hear it.

What’s it all about? It seems to be a nostalgia piece, thinking about how a young life unfolds, missed chances, and how a dance floor can transform the mundane into the marvelous. I can picture a young Emm spinning around under a huge disco ball so clearly. It’s joyous, it’s melancholy, it’s filled with longing, it’s filled with regret. It’s everything.

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My Emm Gryner Top 40! #’s 11 – 15

Sorry, it’s been a while, but I’m finally getting back to my Emm Gryner Top 40! What brought me back to it actually was the sudden burst of my #2 song into my brain tonight while watching “Wanderlust” on Netflix. And what song was that? Well, you’ll just have to wait and see, because I’m only hitting #’s 15 – 11 this time out. And it’s a great mix of enchanting pop duets, and gorgeous heart-rending ballads. And an Emm classic thrown in. Check ’em out!

#15 – Symphonic (AsianBlue)

Symphonic is a classic Emm Gryner pop song… great lyrics about person who Emm calls symphonic and compares to the light of the moon, or all the lights on New Year’s Eve, a fantastic opening piano hook, and a soaring chorus. It kicks off Emm’s outstanding album, AsianBlue and sticks in your head for days. Pop gems? Or emotional ballads? Emm shines with both.

#14 – Sunrise Sometime (Gem and I)

Couldn’t find a video for the studio version featuring Sass Jordan, but enjoy this gorgeous live version featuring Stephanie Martin singing with Emm.

Gem and I, Emm’s 12th studio album is a collection of duets and it makes a strong return in the Top 15 with two numbers in this batch. And Sunrise Sometime features the bluesy rock & roll vocal talents of Sass Jordan as a delightful counterpoint to Emm’s clear, pop belt. It’s a perfect blend for the lyrics too, that talk about doing through hard times, but knowing that there’s a sunrise on the horizon sometime. There’s a melancholy lilt underlying a great pop song, with beautifully arranged strings powering the chorus. Sass Jordan is a Canadian artist who never really found a lot of cross-over success in the U.S. but found international notice with her 1992 album, Racine.

#13 – Underlake (21st Century Ballads)

It’s always a struggle for me to decide if Emm is the master of the pop hook, or a craftsperson extraordinaire of the piano ballad. Clearly, she is both. The slowly-paced yet deliberate piano chord progression that opens the gorgeous Underlake, leads to a gentle explanation in verse that lays out the situation before sweeping into gorgeous musical and lyrical poetry. There is love in Underlake, but it doesn’t come easy, and the tempestuous couple is struggling to make it work. “Every day, in the ocean of your gaze, I try to get brighter, remember love. Every day, like a shipwreck under lake, I want you to raise me.” It’s heartbreaking in its beauty.

#12 – Gold Soul of Rock ‘N Roll (Gem and I)

Emm reached new heights of pop perfection on Gem and I, her album of duets, as this rollicking, mid-tempo, piano-driven number clearly attests. Pairing up with Nova Scotia artist Joel Paskett, whose clear tenor matches Emm’s beautifully, allows this great song to just lift you up. The verses channel Elton John at his best, then leaps to great heights at the top of the chorus with some soaring harmonies, before gently settling you back down to the ground again. It’s one of those great songs that just plants a smile on your face. It’s the third of four cuts from Gem and I to make the Top 40.

#11 – Visiting Hours (21st Century Ballads)

21st Century Ballads offers a lot of beautiful songs, but Visiting Hours, the closing track, leaped out at me early and has stuck with me for the long haul. The intro boasts a gorgeous, descending piano lick before Emm’s hushed, husky vocals sing to a loved one who is dying. She’s there for them, “I’m not leaving you, I’ve frozen this moment.” The chorus lifts the melody into her upper register briefly before settling back into a peaceful and loving resignation. And the gorgeous reverb on the repeating piano lick as the song fades is both heartbreaking and beautiful. When my mother was in her last weeks, I would play this song and allow it to wash over me, comforting me in its beautiful and simple message. Just listening to it now while I wrote this synopsis filled me with emotion. It’s the final track form 21st Century Ballads on this list, and it wraps up the Top 20, just missing the final 10.

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My Emm Gryner Top 40! #’s 30 – 26

21st Century Ballads
                  21st Century Ballads

As we enter the Top 20, we see songs appear from three of Emm’s albums for the first time: 2015’s 21st Century Ballads,  2014’s, Torrential and 2006’s Summer of High Hopes.  #30, marks the last appearance of her major label debut material. We also get the first of Emm’s signature piano ballads, and her lyrics are still too impressionistic for me to get a real handle on what she’s singing about, but the songs are so well-crafted it doesn’t really matter.

#30 – Your Sort of Human Being (The Original Leap Year)

Another track from Emm’s major label debut, Public, that was also included in a better format on The Original Leap Year. I love this mid-tempo rocker, whose lyrics don’t understand, but with the great line, “Was I not your sort of human being? Was I not your kind of creature?” A little bit of youthful angst makes for a good, dramatic pop number, and this one is decidedly hummable too (and what a fun video when Emm was a baby rocking her bass guitar!)

#29 – Purge (Torrential)

Funny, sassy, and irreverent, Purge is a fun, jaunty rocker off the slick Torrential album that has a hint of 70’s pop. It’s got great lyrics (that I can’t quite figure out) my favorite being, “You write about murder like you’re shopping at Club Monaco; I said, ‘Why don’t you help me and stop being a bitch?’” There’s a strange dichotomy in Torrential… some great break-up songs, but it feels like Emm is having a blast recording this album. Maybe it’s a Purge and she’s loving it!

#28 – Stereochrome (Science Fair)

Emm does wonders with a cello. Stereochrome brings together an acoustic guitar, a harpsichord and a cello, backs it with some percussion, and the result is a mid-temp pop number dripping with longing. It’s the opening track from her DIY album, Science Fair, and the second from that album to make the list. And here’s a fun video of Emm performing the song live. Hint: this album has the most tracks of all on my Emm Top 40, with seven total!

#27 – Black-eyed Blue Sky (The Summer of High Hopes)

Love the guitar licks on this one, reminds me a little of And Your Bird Can Sing  by the Beatles. It’s a short pop ditty And the chorus slays.

#26 – Jesus on the Scene (21st Century Ballads)

Before I made this list, I would have said that Emm’s piano ballads were my favorites. That didn’t turn out to be true, but Jesus on the Scene from 21st Century Ballads, a gorgeous collection of piano ballads is one of several that I really, really love. An angelic chorus backs up the proceedings, fitting for Jesus on the Scene, but the song looks at her relationship with the songs “you” from different points in her life, but it’s her maturity and wisdom that make it all work. It’s gorgeous.