#30 – My Crazy Head, Desire Walks On (1993) written by Ann Wilson, Nancy Wilson, Sue Ennis
Blending the acoustic with the electric in true Heart fashion, My Crazy Head is another standout from the Desires Walks On album; the fourth song to appear in the Top 40 from what is unquestionably the best of the Capitol Years albums, despite it not performing that great commercially. With an incredibly catchy chorus, Ann wanted it released as the first single, but in a hold-over from the “hit-maker” deal the band had signed with Capitol Records, they were forced to release Will You Be There in the Morning as the lead single. Cut form the same cloth as All I Wanna Do Is Make Love To You both were written by Mutt Lange, and his contract with Capitol required that anything he wrote had to released as a lead single. Interestingly enough, the band had moved on from treacly power-ballads and the song peaked at #39.
Lyrically, My Crazy Head is a bit disappointing; basically a love song, but with a slight twist about the relationship enabling her to get out of her own crazy head. There’s nothing really outstanding about the track, but it’s a tuneful stand out that sticks in my crazy head every time I listen to it.
#29 – Lost Angel, Jupiters Darling (2004) written by Nancy Wilson
After Desire Walks On, Heart took a ten year break from recording before returning in 2004 with their thirteenth studio album, Jupiter’s Darling. This album was a definite return to their rock & roll roots, with a sprinkling of ballads and deft acoustic work thrown in . It also featured the addition of lead guitarist/producer Craig Bartock who remains with them to this day. Jupiter’s Darling sees Nancy Wilson taking a bit of creative control, producing with Bartock, and writing a hefty number of songs with Bartock as well, and on her own. She also sings lead vocals on five songs… definitely a record. And while Nancy has a perfectly lovely voice, why would you bother when you’ve got Ann Wilson on hand?
Jupiter’s Darling is a solid album, I like it well enough, but most of the songs don’t stand out enough to compete with the other tunes in my Top 40. All that is, save one. Lost Angel is a really lovely song, written by Nancy on her own, and as she says, is “a bit like a prayer.” I’ve got to hand it to Nancy, despite writing the song on her won, she was wise to let Ann take care of the powerful vocals. The song starts with Nancy’s gentle, rootsy, acoustic intro setting the tone for the first half of the song. When the second verse kicks in, so do the power chords and the drums, pushing Ann’s soaring vocals even further out front.
I love the pre-chorus, where Ann sings about birds bringing feathers of peace. It’s reminiscent of some of the balladry from Dreamboat Annie, yet sung from a place of road-weary experience, rather than the innocence… even naiveté of a band just starting out. Then toward the end, we get a little more Nancy’s truly exceptional guitar playing. It’s a heart felt song that avoids cheesiness, and almost sounds like it could be something lifted off a Bruce Springsteen album. Check out the studio and live versions below.
#28 Voodoo Doll, Desire Walks On (1993) written by Ann Wilson, Nancy Wilson, Amy Sky, John Capek
Ann and Nancy have worked with Canadian avant-garde rocker, Dalbello, and recorded her songs. Desire Walks On sees them working together again, and I can’t imagine it’s a coincidence that after working with her, the Wilson sisters wrote Voodoo Doll. It’s dark, mysterious, drum-heavy sound is so reminiscent of Dalbello’s stellar Baby Doll from her 1987 album, She. They say imitation is the sincerest form of flattery, so I would call this more of an homage than plagiarism, because the songs really are remarkably similar.
The opening borrows some heavy industrial sounds acting as the drum beats, and the song is more keyboard heavy that your usual Heart number. Ann and Nancy harmonize great on this song, and Ann’s lead vocals are powerful, seductive and really just perfect for the song. It’s nice to see Heart branching out to try something different, and for me it’s one of the best songs on the album.
#27 Perfect Stranger, Private Audition (1982) written by Ann Wilson, Sue Ennis
Heart is most well-known for their rockers and their great blend of electric and acoustic sounds, but they’ve got some great ballads too, some of which are rooted in folk. Perfect Stranger is powered by Nancy’s lovely, gentle 12-strong acoustic guitar work, layered with some strings arranged and conducted by Howard Leese.
I particularly love how the bridge builds with Ann and Nancy harmonizing to a really powerful third chorus, where Ann lets loose and alters the lyrics just slightly that is a nice story-telling twist and builds the emotion at the end. Some might think the song is fairly straight-forward, but I find it very melodic, and keeping with that early Heart sound.
#26 How Deep It GoesDreamboat Annie (1975) written by Ann Wilson
#26 marks the first of three songs to appear in my top 40 from the band’s debut album, Dreamboat Annie. The band was based in Vancouver, Canada at the time, and was recorded there and released in Canada in mid-1975. The album did very well in Canada, selling 30,000 copies in the first couple of months. It wasn’t released in the States until early 1976, where it was first released in Seattle, where the band hailed from originally, and played some club gigs before moving to Canada. It took off and quickly sold another 25,000 copies. The label took their time releasing it city by city and when their first single, Crazy On You hit, the album took off.
How Deep It Goes was written by Ann Wilson, and was the first single released in Canada. It didn’t do well, so they quickly followed up with Magic Man which was a hit. Talk about innocence, but with a complexity of musicality that was emblematic of beauty and talent behind Dreamboat Annie. The rolling piano parts, the gorgeous orchestration, Ann and Nancy’s acoustic guitar interplay, all serve to turn a simple love song into an intricate, musical chamber piece.
Ann’s voice is the picture of sweetness in the studio recording. Crystal clear, perfect pitch, filled with emotion. I’ve also included a live version of the song recorded in 2007 and taken from an album where the band performed the entire Dreamboat Annie life in concert. You can hear how Ann’s voice has aged and weathered over the years, but it’s just as clear, and more powerful than ever. It’s a song that Ann wrote in a different time, a different world, before their career took off and they went through the nasty rock & roll industry, the ups, the downs and everything in between. Listening to this song certainly transports me to a different time, in my mother’s living room, listening to this amazing, female-fronted rock band, opening my mind to a new kind of music. How deep it goes, indeed.
#35 – Alone, Bad Animals (1987) written by Billy Steinberg and Tom Kelly
For many, this is Heart. This is the band that ruled the videowaves with a power ballad that topped the Billboard Hot 100 for three weeks. And while hit is not my Heart, no one, certainly not could deny the way Ann Wilson owned this song so completely that it didn’t even matter that they didn’t write it. Listening to this song sends chills up and down your spine; not because it’s a particularly good song — it’s a fair to middling song at best — but that voice. Yes, it was Nancy’s tits and ass wagging all over the video, humping her guitar (it was an excruciatingly embarrassing time for the band, even as they attained immense popularity) but you couldn’t deny that Ann Wilson was the star of this song.
Alone was the first single from their ninth studio album, Bad Animals. It peaked at #2 on Billboard’s Top 200 albums in the summer of 1987, and was certified triple-platinum in 1992. Honestly, I thought this song would land much higher on my list of favorite Heart songs. I mean, Ann really does sound incredible. But honestly, the song is pretty lame, and all I really get out of it is the thrill of Ann letting loose. It’s the first of four songs from Bad Animals to appear on my list, which is actually pretty good. Heart only spawned two in my Top 40, and the follow-up, Brigade doesn’t appear at all. (Come on, it’s claim to fame wasAll I Wanna Do is Make Love to You. There’s really not much more to say about Alone, so here’s the video and we’ll move on.
Okay, and listening to this live version with the Royal Philharmonic Orchestra does bring tears to my eyes.
#34 – Desire Walks On, Desire Walks On (1993) written by Ann Wilson, Nancy Wilson, Sue Ennis
Desire Walks On is a really interesting album. It was the first album that Heart decided to take back creative control after three albums worth of 80’s hit-making. They got rid of the big hair and cleavage busting outfits, and they wrote most of the songs. Sadly, the album didn’t do that well, peaking at #48 on the Billboard Top 200, and only yielding one Top 40 hit,Will You Be There (In the Morning) which only made it #39. Still, for me, it was like a breath of fresh air. Heart was on the way back. The Heart that I loved. And while Desires Walks On was a somewhat schizophrenic album, it has the distinction of being the album with the most songs in my Top 40 songs by Heart!
Anchoring my list, you’ve already heard that hard-rockin’ Rage at #40, and now the title track comes in at #34. A propulsive hard-rocker with layered synths, Desire Walks On is straight-forward rock & roller that brings the power back to Heart, but doesn’t quite capture the attitude of their early days. What it does do is bridge their 80’s rock with a return that something that feels like it belongs to them. It features scorching vocal by Ann, a funky bass line and some great rock guitar licks.
#33 – This Man is Mine, Private Audition (1982) written by Ann Wilson, Nancy Wilson, Sue Ennis
Private Audition is a curious album. I remember thinking it was a very underrated album, and one of my favorites, but when I went back to listen to it again in preparation for creating this list, I found several of the songs I remembered liking didn’t hold up very well. It’s actually a pretty uneven album (although still considerably better than its follow-up, Passionworks. Private Audition, their 6th studio album, spent 14 on Billboard’s Top 200, climbing to #25. It was the final album to feature bassist Steve Fossen and dummer Michael Derosier. There was only one single released off the album, and it was a pretty unusual choice to kick things off.
This Man is Mine did make the Top 40, climbing to #33 on Billboard’s Top 100, but it was very different from past Heart successes. I remember hearing it for the first time, and really liking it, but thinking, wow, I don’t know if I would have guessed that was Heart if I hadn’t known beforehand. I wonder if they were encouraged by the success of their previous single, Tell It Like It Is, which made it all the way to #8, and was their highest charting single to date. This Man is Mine was a homage to the Supremes, and a frankly embarrassing video was made to accompany the release. Fortunately, it wasn’t played very much. I loved the songs low-key vibe, Nancy’s slapping bass and electric guitar stylings, and, of course, Ann’s terrific vocals. Out of respect to the Wilson sisters, I am not including the video… just the audio track below.
#32 – Ring Them Bells, Desire Walks On (1993) written by Bob Dylan
If you’re going to do a song that you didn’t write yourself, going with Bob Dylan is probably a safe way to go. Ring Them Bells, another cut from Desire Walks On has a spiritual quality that on first glance might seem to be an odd choice for Heart. Then they turn it into a trio, with Ann, Nancy and Lane Staley from Alice in Chains, and somehow it all comes together. With Ann’s voice powerfully anchoring the song, it’s a nice way to showcase Nancy without having her carry the entire thing, Staley’s gruff, strong vocals add a nice counterpoint and the three blend together surprisingly well on the chorus.
What’s lovely about this song is how it highlight’s Ann’s incredible vocal prowess from the point of view of restraint. While you can hear Nancy and Layne turn on the power and emotion in their parts at the appropriate times, Ann’s vocal parts are so effortless and natural; nothing seems strained or put on. She is right there in the song and it flows naturally, so when she does occasionally unfetter her voice and let it loose it seems as effortless as breathing, and as thrilling a a ray of light breaking through cloud cover.
#31 – Never, Heart (1985) written by Holly Knight, Gene Black, CONNIE
If What About Love the first single from their 1985 Heart album put them back on the track of commercial success by hitting #10 on Billboard Hot 100, (it’s sitting at #59 on my personal list of Heart songs), then Never solidified their comeback by climbing all the way to #4, marking the first time that Heart earned consecutive top ten entries, and the first time a Heart album generated two top ten singles. It’s also the second and last song from that wildly successful album to show up here. As part of the barrage of song written by hit makers external to the band, as mandated by their new label, Capitol Records, Never is at least co-written by Holly Knight and Gene Black along with CONNIE, which is a pseudonym for Ann, Nancy and songwriting partner Sue Ennis. Holly and Gene were from the band Device, and Holly was pumping out hits for the likes of John Waite, Pat Benatar, and Tina Turner. Holly got her start in the band Spider — probably my favorite band that few people have heard of from the early 80’s.
It’s hard not to like Never with it’s upbeat melody and Ann’s playful vocal delivery. The video is nice enough, again putting the focus on Nancy’s prancing about (in fact the video starts with a shot of Nancy wagging her butt at the camera), but not so obviously trying to hide the fact that Ann isn’t a waif. In fact, I think Ann looks at her best in this video. I’ve also included a live version from 2010 that offers a look at what Heart would have done with the song if left to their own devices, bringing a “rootsier” approach, as quoted by Nancy. Still, it’s a great song, and probably a song that others could have done justice to as well, but Heart certainly makes it pretty memorable.
As we dip into the Top 40, we’ve got a bit of a mix from the 70’s, 80’s and a peek into the 90’s. We also see Nancy’s first appearance as a lead vocalist (one of only two appearances in the Top 40, I believe.)
#49 – Rage, Desire Walks On (1993) written by Ann Wilson, Nancy Wilson, Keturah Hain
Released in November 1993, Desire Walks On was the first album where the Wilson sister reclaimed the song-writing chores after three commercially successful albums where they let hired hit–makers contribute most of their… well, hits! It was their 11th studio album and the final studio album to feature longtime member Howard Leese, who, aside from the Wilson sisters, is the band’s longest-serving member. After their string of three smash hit albums for Capitol, Desire Walks On was a bit of a disappointment, peaking at #48 on Billboard’s Album Chart, although it was certified Gold. Surprisingly, it is the album with the most songs to appear on my Top 40, with seven showings.
Rage feels like Ann Wilson just letting all the pent up anger she had been dealing with throughout the 80’s, in a fiery explosion of rock & roll vocalizations. The song starts off in a low-key manner, with some nice electric piano base to build on before erupting in… well, rage in the chorus, with Ann howling her fury while Led-Zeppelin like guitar riffs tear through the aural landscape. My favorite Heart songs tend to be the ones where they blend the acoustic and the electric, but Rage is something visceral and appealing, and it anchors my Top 40 Heart songs nicely.
#48 – Raised On You, Bebe le Strange (1980) written by Nancy Wilson
Let it be revealed here, I’m not a fan of Nancy Wilson as a lead vocalist. As a guitarist, she is amazingly talented. When she harmonizes, she’s the perfect compliment to her sister Anna’s near perfect voice. But as a lead vocalist, while competent, there is just something missing in the quality of her voice that leaves me a little cool. While Nancy sang some of Heart’s big 80’s hits, most notably their first chart-topper,These Dreams (which is one of my all-time least favorite Heart songs) most of her songs leave me cold.
However, back in the 70’s I was fairly enamored with Nancy Wilson — her musicianship during a time when there just weren’t that many women in rock who did more than sing — and I overlooked the fairly average voice and clicked with a couple of her songs. She usually sang at least one song on most albums (later she would get more than one on occasion) although I always wondered why you would have anyone else sing when you had Ann Wilson on lead vocals. Regardless I was head over heels for Raised On You when Bebe le Strange first came out. A rollicking, bluesy, piano-driven number (I have such a weakness for piano-driven rock) is sounded so different, both for Heart and for anyone at the time really. Plus, not only did Nancy sing lead, she played all the instruments on the track with the exception of drums. In addition to the fantastic piano line, I loved Nancy’s electric guitar solo in Raised on You, as she stuck to the lower strings to create something really substantial and resonant. Raised on You is a fun song, and had I made the list in the 80’s, I bet it would be much, much higher, but as it stands, at least it made my Top 40.
#38 – Here Song, Magazine (1977, 1978) written by Ann Wilson
Magazine is a strange Heart album, and Here Song could be considered a throw-away song. Magazine is the third studio album by Heart, originally released on April 19, 1977, by Mushroom Records in unfinished form, without the band’s permission, just one month before they released Little Queen on Portrait Records. A second authorized version of the album was released on April 22, 1978. Heart’s contract with Mushroom Records was for two albums and were in Vancouver working on their second album, but a falling out with Mushroom over an advertisement celebrating the sales of Dreamboat Annie put things to a halt. The advertisement, which ran as a full-page in Rolling Stone, was designed to resemble the cover of a salacious tabloid-style magazine, and showed the sisters bare-shouldered (as on the Dreamboat Annie album cover) with the suggestive caption “It Was Only Our First Time!” (This falling-out was the basis for one of Heart’s most well-known songs, Barracuda.) Only five incomplete recordings were made during these 1976 sessions.
While keeping the group under contract, Mushroom apparently was not interested in releasing a second Heart album. Heart’s producer Mike Flicker, ended his relationship with the label. The contract stipulated that Flicker would be the producer of all Heart recordings. The band took the position that since Mushroom was unable to provide the services of Flicker they would be free to sign with another label. Heart hired a lawyer to resolve the dispute, and they signed with Portrait Records. The change in labels resulted in a prolonged legal battle with Mushroom, which still had a two-album contract and claimed they had the legal right to release a second Heart album after all. Still in possession of the five unfinished studio recordings, as well as unreleased live tracks recorded in 1975, Mushroom had them remixed by the band’s recording engineer, but without the presence of any group members. Originally released as the B-side of the Canadian single, How Deep it Goes, from 1975’s Dreamboat Annie, Here Song was added to the mix and appeared on the unauthorized release. Unhappy with the somewhat unpolished studio performances and the inclusion of the live recordings, the group took Mushroom to court with the aim of having the 1977 release of Magazine withdrawn from the market. The Seattle court ruled that Mushroom had to recall the album, but the terms of the settlement required that Heart provide a second album for Mushroom. Heart chose to fulfill this obligation by finishing the previously released songs to a quality of their satisfaction, and an approved version of Magazine was released in 1978.
Here Song is a beautiful, acoustic ballad, that feels like it was written by a very young Ann Wilson. The track features a sweet, almost fragile vocal from Ann, as well as she and her sister on acoustic guitars. Ann added some flute, and Howard Leese conducted a lovely string accompaniment to back the beautiful, simple love song. Running only 1 minute and 34 seconds, it’s really just a fragment of a song, but it’s beauty and innocence have always appealed to me, and it warrants its appearance on my Top 40.
#37 – Nothin’ At All, Heart (1985) written by Mark Mueller
Heart’s amazing success during the mid-80’s MTV heyday is a very conflicting time in their career. They reached the pinnacle of their success as a band commercially, but were struggling with creative challenges, promotional battles, and personal struggles. After being dropped by Portrait Records due to the lackluster performance of 1983’s Passionworks, Capitol Records scooped them up under the condition that the label would be allowed to bring in hit makers to write their songs. Heart had always written nearly all the songs they recorded, so this was a major change for them. In addition, MTV was at the reigning method for the masses to discover new music, and the hyper-visual medium forced the band to have to think about their image and the appearance almost more than the music. It would lead to a very weird period for the band, and while I stuck with them, the three albums released during this period only yielded a total of 6 songs in my Top 40.
Which brings us toNothin’ At All, the first of this era’s songs to appear on my list. Just because a song is written by a “hit maker” with the whole reason for it to exist is to be a successful pop song, doesn’t mean it can’t be good. Powered by Ann’s powerful vocals, and backed by a talented rock band, this effervescent, dreamy love song may have been a bit vapid lyrically, but it was certainly easy on the ears and quite tuneful. It would have probably been a nice listen from anyone who sang it, but Ann and Heart, as usual, can take even the mundane up a notch, and make it noticeable. In addition to the great vocals, Nancy and Howard Leese share a great, melodic guitar solo that is notable as well. Nothin’ At All was the fourth single to be released from 1985’s Heart, following What About Love, Never, and These Dreams. It was also the fourth song to hit the Billboard Top 10. Pretty astounding for a band that had pretty much tanked with their previous album. The video, shown below, is an example of the sexy, glam-rock look the record label wanted the band to adopt, and also shows how they were beginning to thrust Nancy out in the spotlight more and more, even when Ann was singing, because they felt she was the more attractive of the two, due to Ann’s weight, an issue that would only get more challenging as the image-focused 80’s moved on.
#36 – Bebe le Strange, Bebe le Strange (1980) written by Ann Wilson, Sue Ennis, Nancy Wilson, Roger Fisher
The title track from their fifth studio album, Bebe le Strange marked the first major change for the band, as lead guitarist Roger Fisher quite a few months before it was released in 1980. With Roger’s departure, as well as the end of his long-term relationship with Nancy, (and the end of Ann’s relationship with Roger’s brother, band-manager Michael Fisher) this marked the moment when Ann and Nancy took creative control of the band. The change saw Howard Leese handling more of the lead guitar duties, and Nancy taking on more electric guitar, losing some of that acoustic/electric blend that the band was known for. While the album was a commercial success climbing to #5 on Billboard’s Hot 20o, being certified gold, and spawning the Top 40 hit, Even It Up, the title-track was inexplicably the first U.S. Heart single to fail to make the Top 100.
Bebe le Strange was written about a fictional, female rock & roll star (loosely based on an amalgam of Ann and Nancy perhaps) from the point of view of a fan who wants is devoted to her. It’s a nice chugging rocker, and features Ann on bass guitar. There’s something almost grungy about the guitar throughout and Michael Derosier shines on drums as usual. I’ve included the studio track, followed by a nice live version recorded in 2005.
Okay, now that I’ve got all my Avengers ranked it’s time to turn back to music. Like Fleetwood Mac, I discovered Heart in the 70’s, thanks to my older brother Chris. Also like Fleetwood Mac, Heart is still around today, but they’ve got one up on Fleetwood Mac as they’re still recording fairly regularly. The two bands also shared something unique in common: both featured women in the band, starting from a time when that was pretty unusual.
Heart is basically the musical project of the Wilson sister, Ann and Nancy. Brunette Ann is the lead vocalist, although she plays a whole bunch of instruments as well, .Ann is widely regarded to be one of the best rock vocalists of all-time, and I would heartily endorse that. The power of range of Ann’s voice is unprecedented, in fact, even now, in her 70’s, while she can’t quite hit the high notes with the same intensity as a couple of decades ago, she can still blow most singers out of the water. Blonde Nancy is the guitarist. A virtuoso on the acoustic guitar, but also a multi-instrumentalist and a vocalist, Nancy was definitely one of the very first rocking with the guys on the guitar. She provided the beautiful blend of hard-rock and intricate acoustic guitar that was their signature sound for their first decade, and again after they got through the high-haired 80’s,
The Seattle band recorded and released their first album, Dreamboat Annie, in Canada where the band was living at the time in 1975, and the U.S. in 1976. The roots of Heart lay in Seattle, but they moved to Vancouver during the Vietnam Was to avoid the draft. Dreamboat Annie broke big in the States with the help of two Billboard top 40 singles, “Crazy on You” which climbed to #35, and “Magic Man” which was a top 10 hit peaking at #9. The album climbed to #7 on the charts, and was eventually certified platinum. The band, with many different line-ups, save for the Wilson sisters, went on to record 16 studio albums and assortment of greatest hits collections and live albums. Their most recent being Beautiful Broken in 2016.
One thing I’ve learned as I went on a musical journey through Heart’s catalog, is when they’re good… they’re really good, and when they’re not, they’re really not. Heart’s musical phases can really be put into three groupings. Their first seven albums, from 1975 – 1983, married hard rock and acoustic folk in an original sound that came from songs that were written by the band. Toward the end of that run, the band was losing the popularity they enjoyed in the 70’s, and in fact, their songwriting was faltering as well. They were dropped from their label. Capitol Records signed them in the mid-80’s under the condition that they would be repackaged for the video-era, and they would bring in hit-making songwriters to jumpstart their career. The tactic worked, and Heart entered their most popular era with songs like “What About Love”, “Alone”, and “These Dreams”, none of which were penned by the band. It was also the MTV era, where video was everything, and Nancy was pushed out in front, because Ann’s weight began to fluctuate. This was a successful time for the band commercially, but a nadir creatively. Ann’s voice still brought it, but the songs, overall, became pretty bland and unremarkable. Then in 1993, they decided to take back creative control and go back to their rock/acoustic roots. While they were never able to replicate the commercial success of those corporate 80’s albums, they’re songwriting skills had been refreshed and they continued to create some amazing music.
Before I get into my Top 40, here is a little breakdown of their musical eras and their relative success with me.
Heart’s musical eras and the respective number of songs to make my Top 40.
Dreamboat Annie (1975) – Passionworks (1983)
24
Heart (1985) – Brigade (1990)
6
Desire Walks On (1993) – Beautiful Broken (2016)
14
Only three of their studio albums failed to see a song on my Top 40. 1983’s Passionworks, which I remember loving at the time, but now listening to it again, it truly is a subpar album. Their sole Billboard Top 40 song, “How Can I Refuse” does show up in my Top 50. Other songs of note include “Sleep Alone”, “Allies”, and “Together Now”. Brigade, the final of the MTV-era trilogy, released in 1990, left me pretty cold. While it spawned some big hits like “All I Wanna Do is Make Love to You”, and “I Didn’t Want to Need You,” and hit #3 on the Album chart, not a single song from it made it into my Top 100 songs. Finally, 2012’s Fanatic, a real rocker of an album, just didn’t click with me. One very cool song of note off Fanatic, “Mashallah!” did make my Top 50. So a fairly even spread… one album from each era didn’t pass muster with me, but representation from all the others is there.
And to kick things off, here are the ten songs that didn’t quite make it into my To 40!
50. “If Looks Could Kill” – Heart (1985) 49. “Sing Child” – Dreamboat Annie (1975) 48. “Mashallah!” – Fanatic (2012) 47. “(Love Me Like Music) I’ll Be Your Song” – Dreamboat Annie (1975) 46. “How Can I Refuse?” – Passionworks (1983) 45. “Hijinx” – Dog & Butterfly (1978) 44. “Hey Darlin’ Darlin'” – Private Audition (1982) 43. “Say Hello” – Little Queen (1977) 42. “Even it Up” – Bebe le Strange (1980) 41. “I Jump” – Beautiful Broken (2016)
In a way it’s only fitting that my Top 2 Avengers kind of came to prominence around the same time. Perhaps that because writer Steve Englehart was writing the Avengers in the 70’s, and he was one of the first to pay attention to female characters. Not that they were perfect, in fact my top 2 Avengers are pretty flawed characters both dealing with some major ups and downs over the years. One has been pretty consistently in the limelight took dealt with a rather lengthy absence, before returning in another book with another team. And now, both have made it onto the big screen in the MCU!
#2 – Scarlet Witch (Wanda Maximoff) Joined Avengers #16 (May 1965) Creators: Stan Lee; Jack Kirby
The Scarlet Witch has been around a long time, debuting as a villain in the X-Men comic book in March, 1964. Like all the women in Marvel superhero comics back then, she was fairly passive and demure, but Wanda did have a temper and some mighty cool, if poorly defined powers to back it up. Just over a year later she was an Avenger, and a lengthy tumultuous year as mostly a heroine, with some tragic and disastrous forays back into villainy lay ahead. Had i been making this list in the 80’s, Wanda would have been in my Top 5, possibly as high as her appearance today, but a couple of decades of misuse saw my interest in the character plummet, and I suspect she wouldn’t have even made the Top 10 until as recently as five or so years ago. After a lengthy period of misuse, Wanda’s star has definitely risen again, and while she still struggles with a bit of a taint from those dark years, writers such as Alan Heinberg and James Robinson have gone a long way to return her to her proper status as an interesting, enjoyable character.
As many who have been around as long as Wanda has, her origin story has been retconned multiple times. When Wanda and her twin brother Pietro were first introduced, they were children of the Romani Django and Marya Maximoff, fleeing from their village because they displayed abilities beyond humankind. Pietro could move at superhuman speeds, and Wanda possessed a mysterious “hex” power that caused unexplained phenomena to manifest where she pointed. They were rescued from a rampaging mob by Magneto, at the time a mutant terrorist, and leader of the Brotherhood of Evil Mutants. Wanda and Pietro were grateful for his aid and pledged to help him for a time. This brought the pair into conflict with the X-Men. After a handful of forays into villainy, Wanda and Pietro grew tired of life under Magneto’s law and fled. When they heard the Avengers were looking for new members, they applied and were accepted along with another former villain, Hawkeye. The three of them were lead by Captain America, and dubbed Cap’s kooky quartet. They were a far cry both in power and temperament from the original team of heavy hitters that included Thor, Iron Man, Giant Man and the Wasp. Though the team faced a rocky start, Captain America was able to forge them into an effective and loyal team, bringing out the best of them, particularly Wanda and Clint (Hawkeye).
Wanda served with the team for quite a while, until a stray bullet wounded her during a confrontation, and Pietro took his sister from the team to allow her to recover. When Wanda was later kidnapped by an interdimensional ruler named Arkon, Pietro sought the Avengers’ aid. Upon her rescue, Wanda returned to active duty with the Avengers. During her absence, the android, The Vision has joined the team. Almost from the very start, Wanda and the Vision were drawn to each other, as an artificial construct, no one expected a romance to ultimately blossom between the two. That is precisely what happened, as The Vision explored his humanity, he found strong emotions building toward his teammate, and those feelings were returned. The Vision’s feelings first fully manifested themselves during the first Kree-Skrull War and the two started officially dating shortly thereafter. This led to some encounters with hatred and bigotry form those who thought love shared between a mutant and an android was wrong. Unfortunately, that bigotry and resistance was shared by Wanda’s twin brother, Pietro. This caused a fissure between the siblings. Another Avenger who had difficulty coming to terms with their romance was Hawkeye, who harbored his own feelings toward the Scarlet Witch. Another brief threat to their relationship came form the romantic interest of their Avengers ally, Mantis, who briefly pursued the Vision when her own partner, The Swordsman, let her down. Despite these challenges, the two remained true to each other and married.
During this time, Wanda also began to take an interest in studying witchcraft, which she did so under the tutelage of Agatha Harkness. This education gave her greater control over her mutant hex powers as well as limited control over the natural world around her. Wanda and Pietro also met Robert Frank, a World War II hero known as the Whizzer, who believes them to be his children. This was later disproved when Wanda and Pietro were abducted by the man who they believed to be their true father, Django Maximoff, and taken to Wundagore Mountain, home of the High Evolutionary, where the infants were found and raised by Bova, one of the Evolutionary’s Ani-Men, a cow evolved into a human hubrid. Wanda was temporarily possessed by the demon Chthon, and after defeating it with the help of the Avengers, was advised by Bova that neither Frank nor Maximoff was their biological father, and that all she could tell them was their mother was a woman named Magda, who came to Bova from out of a blizzard, about to give birth, fleeing from their father, who she would not name. She fled soon after she gave birth, and Bova gave the infants to Django Maximoff to raise as his own. Soon after, while trying to track down Magda one last time, Magneto learned that he was the father of the twins. He immediately informed them of their relationship, shortly after the birth of Pietro’s and his wife Crystal’s daughter, Luna. The Scarlet Witch and the Vision decided to take a leave of absence from the Avengers to focus on their family, setting up a suburban home in New Jersey. During a conflict involving a great deal of mystical foe, Wanda seizes control of the magical energy and using it, conceived twin boys eventually named Thomas and William. Using magic was the only way Wanda and the Vision could bear children, and for a time, the pair are happy parents. Their idyllic suburban life didn’t last too long before called back to service, this time with the West Coast Avengers.
Before I go into the next segment of The Scarlet Witch’s background, let me just say that Wand and Vision were two of my favorite characters in comics. I loved their development and their ongoing appearances, and especially their relationship. It makes the next phase in both of their lives particularly painful, and sadly, for me disappointing as it has become largely the defining moments for their characters even to today. When John Byrne took over the writing duties for the West Coast Avengers I believe he didn’t really like Wanda and Vision’s relationship, or thought it was boring, and I read interviews where he clearly state that he didn’t like the idea of Wanda having kids via magic. As writer, he decided to do something about it.
Byrne started by having the Vision dismantled, his memory wiped, and the brain patterns of Simon Williams (Wonder Man), which originally allowed him to develop emotions, removed from his system. Not only did this pretty much irrevocably destroy the Vision that we all knew and loved, it was tantamount to murdering Wanda’s husband, only worse, because his body was still walking around, it also tarnished Mockingbird’s character, as it was through her that the government organization gained access to the Vision, and Simon’s as well, because he refused to allow his brain patterns to be loaded back into the Vision to restore his emotional capability. To complicate matters (and make me start to dislike Simon, who, up this this point, I quite enjoyed) it was revealed that Simon had feelings for Wanda, so rather than restore his “brother,” he selfishly stood in the way of his restoration. As one might expect, this put Wanda in a fragile state.
Byrne’s next blow was to go after Wanda’s children. Agatha Harkness noticed that whenever Wanda was preoccupied, her children seemed to vanish. Turns out that in order to create her twins, Simon and William, Wanda in inadvertently used missing shards of the the demon Master Pandemonium’s soul. The twins were destroyed when they were absorbed back into Master Pandemonium. Agatha Harkness temporarily erased Wanda’s memories of her children from her mind in the process of disrupting Master Pandemonium’s physical form, and to keep the terrible burden of what had happened form sending Wanda over the edge.. It was ultimately revealed that Immortus masterminded both of those events, as he sought to tap into the temporal nexus energy the Wanda was revealed to possessed. The Avengers ultimately rescued Wanda, who regained her memories of her children in the process. Wanda seemingly recovered from these twin devastating losses, that of her husband, and her children, and after trying to reach the Vision and be continually rebuffed, began a relationship with Wonder Man. She also threw herself into her work, and when Avengers West Coast disbanded, she formed and led a new team called Forces Works. This team didn’t last too long, and during its first adventure, Simon is presumably killed, another loss for Wanda. Wanda and Hawkeye decided at that point to return to the main Avengers team.
After rejoining the Avengers, the Scarlet Witch was kidnapped by the sorceress Morgan le Fay, with the intention of using Wanda’s powers to warp reality into Morgan’s image. Wanda temporarily resurrected Wonder Man in the form of an ionic cloud of energy, and the Vision was damaged in the final battle with Le Fay. Agatha Harkness informed her that she was now able to channel chaos magic, which made her more powerful. Wanda was able to fully resurrect Wonder Man, and the two briefly became lovers. The Vision was eventually repaired and—after Wonder Man broke-up with Wanda—they resumed their relationship. Enter Brian Michael Bendis, the writer who picked up the threads started by John Byrne and completely destroyed the Scarlet Witch (and the Avengers for a lengthy period of time).
Wanda overheard the Wasp mock her ambitions for motherhood, only to find herself once again missing her memories of ever having had children. Scarlet Witch sought the help of Doctor Doom to see if he could restore her children to life. To do so, they summoned a mysterious cosmic entity which instead, merged with her and influenced her to launch a campaign of terror against the Avengers. The Vision is destroyed, Agatha Harkness and Hawkeye are killed, and Ant-Man (Scott Lang) was also apparently killed (it was later revealed that he was actually saved by Wanda’s future self, who teleported him to the future in a manner that made it appear he’d been killed). Wanda was finally defeated by the Avengers and Dr. Strange, and Magneto, took her to Professor Xavier to see if he could restore her sanity. Realizing that the Avengers and the X-Men were seriously contemplating killing his sister due to her unstable powers, Quicksilver convinced Wanda to take desperate action to keep this from happening: By using her powers, Wanda warped reality into the House of M, a world where mutants were the majority, humans the minority, and Magneto the ruler With the help of a young mutant, Layla Miller, Wolverine and a resurrected Hawkeye, Earth’s heroes were gathered together and their memories restored. It was also revealed that it was Quicksilver who convinced Wanda to warp reality. Upon learning of this, Magneto murdered Quicksilver in a rage. Wanda resurrected him and in retaliation, uttered the words, “No more mutants,” thus changing the world back to its original form but also causing the mass de-powering of 90% of the entire mutant population including Magneto and Quicksilver, thus being responsible for many deaths.
After the fallout, the resurrected Hawkeye tracked Wanda to a small village near Wundagore Mountain. Wanda was living in a small apartment with her only relative, her “Aunt Agatha” (who was never seen, but could possibly have been a manifestation of Wanda’s now-dead mentor Agatha Harkness.) She appeared to be powerless and believed that she had lived her entire life in the village. She did not recognize Hawkeye, nor did she remember her life with the Avengers or other events. The mutant Beast later found Wanda at the same village and sought her help to deal with the aftermath of M-Day. She had no memory of him either, and claimed that she did not believe in magic.
Wiccan and Speed two members of the Young Avengers, thought themselves to be reincarnations of the lost children of Scarlet Witch, and also tried to locate her. Magneto, Quicksilver (whose powers had been restored) and the Avengers searched for her as well. She was ultimately found in Latveria, amnesic and engaged to Doctor Doom. TheYoung Avenger Iron Lad rescued the team and Wanda by teleporting them into the past, where Wanda regained her memory. When the group returned to the present, Scarlet Witch was suicidal, realizing all the horror she had caused. Wiccan then told her that her father and brother were alive, as were many of the people she had thought she’d killed, and that he was her reincarnated son. Realizing that her sons were alive Wanda met with X-Factor and re-powered Rictor, planning to restore powers of all de-powered mutants who wanted it, but she needed more power. She returned to Dr. Doom, seeking his help to undo the spell that erased mutant powers, but Doom managed to steal her reality-warping power for himself. During the ensuing struggle, Wanda and Wiccan were able steal his newfound powers. Subsequently, the X-Men agreed to leave her be, Magneto and Quicksilver both wished to spend time with her as a family and Captain America offered her a spot in the Avengers but Wanda declined them all saying she needed solitude.
Some time later, after defeating both M.O.D.O.K. and A.I.M. with the help of Ms. Marvel and Spider-Woman, she was invited to Avengers Mansion. Despite both heroines pleading her case, the Vision angrily snapped at Wanda, blaming her again for having manipulated and killed him, and telling her to leave. Respecting the Vision’s wishes, she left again but began to have visions of the Phoenix Force and a future in which the Phoenix killed the original Avengers. Believing the Mutant Messiah, Hope Summers, to be the key to defeating the Phoenix Five, the Avengers launched an operation to extract Hope from Utopia. They are nearly defeated by a Phoenix force-empowered Cylops, but Scarlet Witch arrived and saves them. Wanda convinced Hope to go with the Avengers, as Cyclops vowed that he would no longer tolerate the Avengers. Hope revealed that Wanda was the only Avenger the X-Men feared and respected. Ultimately, Cyclops was transformed into Dark Phoenix. The Dark Phoenix began to burn the world so Wanda and Hope decided to join forces in order to stop him. Together, they managed to take him down. The Phoenix escaped Cyclops’s body and entered Hope’s. Hope used its power to reverse the damage and destruction caused by Dark Phoenix and restored the mutant population. Then, as Wanda had once used her powers to wish away mutants by uttering the words, “No more mutants,” Wanda and Hope joined their powers and wished, “No more Phoenix.” It is unknown if Phoenix was destroyed or merely banished from the Earth by the spell.
Following the war, Captain America selected the Scarlet Witch to join the Avengers Unity Squad, a new team of Avengers composed of both Avengers and X-Men. After that, she asked her close friends Janet Van Dyne and Wonder Man to join and sponsor the new team. In a conflict with Rogue, who still blamed her for the death of hundreds of mutants, she met her apparent death at the hands of her teammate, who had absorbed Wolverine’s powers. This death is eventually undone when the surviving Unity Squad were projected back in time, having learned that Rogue was manipulated by the Apocalypse Twins into killing Wanda, allowing the Avengers to band together and defeat an approaching Celestial. During a later struggle with the Red Skull Wanda worked with Doctor Strange to cast a spell of moral inversion to draw out the part of Xavier in the Red Skull and put him in control of the body, but this spell backfires when Doctor Doom is forced to take Strange’s place, resulting in the moral inversion of all heroes and villains in the vicinity. When Quicksilver and Magneto try to talk the inverted Wanda down, Wanda attacked them with a curse designed to punish her blood, but only Quicksilver reacts and Wanda discovered that Magneto was not their father. The Scarlet Witch and Quicksilver are later transported to Counter-Earth. After being tracked down and defeated by Luminous (a woman who was created by the genetic material of Scarlet Witch and Quicksilver), Wanda and Pietro were brought to the High Evolutionary. He revealed to them that Django and Marya Maximoff were their true parents—implying that the twins are actually the lost Ana and Mateo Maximoff—and that they were not mutants but had been experimented on by the High Evolutionary.
Seeking to find her place after all the revelations of her true past, Wanda finds herself working with the ghost of Agatha Harkness to investigate recent disruptions in magic, and briefly meets the spirit of her biological mother, Natalya Maximoff (Django Maximoff’s sister), who was apparently the Scarlet Witch before Wanda. Wanda’s search for answers led her to Serbia where a priest revealed that Natalya, seeking to spare her children of her difficult life as a witch, gave baby Wanda and Pietro to her relatives, Marya and Django Maximoff. When the town came under attack by the High Evolutionary the priest told him the location of the twins, whom he proceeded to experiment on. Upon discovering this, Natalya pursued the High Evolutionary to Transia and died fighting to rescue her children. Touched by her sacrifice, the High Evolutionary returned Wanda and Pietro to Django and Marya to raise after he had concluded his experiments. Wanda learned that Marya was still alive, and was finally able to thank her aunt for looking after her and her brother when they were younger though she questioned why she and Django never told them the truth about Natalya being their real mother. Marya also reveals that, like her mother, Wanda’s grandfather was the Scarlet Warlock. Wanda finally discovers that a manifestation of Chaos is responsible for destroying witchcraft and, joining forces with the spirits of Natalya and Agatha, were able to weaken it enough for Quicksilver (whom Natalya summoned at the last moment) to destroy it. The toll on Natalya’s was too great, however, but before vanished, she revealed that it was not the High Evolutionary who killed her, but Wanda and Pietro’s father. After this, Wanda re-dedicated herself to being an Avenger, declaring that while she has fixed witchcraft, she still must work on herself but that she is ready to do so alongside her teammates.
This was a great recent step for the character, but unfortunately recent events saw her backslide a bit as a result, again, from past stories. Wanda traveled to Genosha where the hundreds of mutants who died as a result of her depowering spell, were buried. Against the advice of Dr. Strange, she sought atonement by resurrecting the fallen mutants. This backfired horribly as the mutants did regain life, but as the undead. Dr. Strange was able to counteract the spell, giving the dead mutants rest, but it’s just another example of how Wanda is now defined by this horrible piece of her history written by Brian Michael Bendis, and even when writers try to advance her past this black mark (such as Alan Heinberg in The Children’s Crusade, or James Robinson, in The Scarlet Witch’s first ever solo series) lazy writers will just fall back on the story that unfortunately continues to define her.
When the Scarlet Witch was first created by Lee and Kirby, her powers were not well defined. She had “hex powers”, that could cause random and unlikely events to take place. Despite the character’s name, she possessed mutant power, and not because of actual witchcraft. Later writers gave her an increased control over her power, so that she could cause specific events and not just random ones. Steve Englehart also made the character explore witchcraft under the tutelage of Agatha Harkness, a trait that was kept by later writers. The effects of her powers are varied but almost always detrimental to opponents. Scarlet Witch also has the potential to wield magic and later learned that she was destined to serve the role of Nexus Being, a living focal point for the Earth dimension’s mystical energy. Writer Kurt Busiek redefined Scarlet Witch’s powers and maintained that it was, in fact, an ability to manipulate chaos magic, activated due to the demon Chthon changing her mutation at birth into an ability to wield and control magical energy. Her powers were retconned by Bendis in hist story, Avengers Disassembled, removing chaos magic and turning them into reality warping. In House of M, this new power was enough to change the whole universe. Her powers were returned back to their previous ones in The Children’s Crusade, and the previous events attributed to an outside force that had temporarily increased them. In the 2016 Scarlet Witch comic series by James Robinson, it is confirmed that Wanda was born with the ability to utilize witchcraft and that this has been seen in other women within her family; Wanda also believes that The High Evolutionary genetically altered her, making her more receptive to magical energy.
The Scarlet Witch was a big favorite of mine as a teenager, through the 70’s, and 80’s before it all came crashing down and her character went through a rough time. Comics being cyclical they way they are, I was sure Wanda would get rehabilitiated at some point, and sure enough, she did, just in the past 10 years. Sadly, she and the Vision seem to have parted ways permanently, but they remain friends. At least she’s shaken off Simon Williams as well, now embarking on a relationship with Brother Voodoo, which is kind of nice. Marvel doesn’t have a lot of mystic characters, so Wanda is pretty much assured a place in the universe. Plus, with the MCU version of the Scarlet Witch gaining popularity, and about to star in WandaVision, a Disney+ series, things could be looking up for our scarlet sorceress. I am a little concerned, because the TV series looks to pick up with Wanda’s mental illness and reality warping powers, two hallmarks of my least favorite tenure of the character. Still TV isn’t comics, and it could make for some really interesting drama.
#2 – Mantis (Given name unknown; surname Brandt) Joined Giant-Size Avengers #4 (June 1975); Associate in Avengers #114 (August 1973) Creators: Steve Englehart; Don Heck
Mantis is one of Marvel’s more curious characters, created in the 70’s by Steve Englehart, and central to the cosmic epic, The Celestial Madonna. Mantis was a bit of a pet character for Englehart, and for a time, he was the only writer who used her, taking her from title to title, even comic book company to comic book company in thinly veiled disguises, implying the character could travel between realities. Except for one poorly written appearance with the Avengers in the 90’s written by Bob Harras (The Crossing – widely agreed upon to be the worst Avengers storyline ever written) where Mantis returned as a villain, and retconned out of existence years later, Mantis remained pretty under the radar until her reappearance in the 2007 miniseries Annhilation: Conquest which led to a reappearance as a recurring character in Guardians of the Galaxy.
Mantis can trace her roots back to the family of Vietnamese crime lord Monsieur Khruul. She was the daughter of Khruul’s sister, Lua, who married the German mercenary Gustav Brandt. Khruul did not approve of the nuptials and pursued the couple before killing Lua, blinding Gustav, and burning down their house. However, Lua had born a daughter, and the now visually-impaired Gustav fled with her into the jungle. Gustav and his infant daughter found sanctuary in the temple of the Priests of Pama, renegade pacifist members of the alien Kree race who were caretakers of the Cotati, a telepathic race of sentient plants. The Priests granted Brandt psychic sight, but removed his daughter from his side, afraid she’d be influenced by his violent nature as she grew. Gustav ended up leaving the Temple and joining the crime cartel Zodiac as Libra. Believing Mantis might grow to be the Celestial Madonna and give birth to the genetically perfect union of human and Cotati, the Celestial Messiah, the Priests of Pama trained her in martial arts, which she mastered, and gave her the name “Mantis” in recognition of her skill in defeating male opponents. They also taught her telepathic communication with the Cotati which gave her empathic abilities. On her 18th birthday, the Priests removed Mantis’s memories, implanted false memories of an orphaned, impoverished life in Ho Chi Minh City, and sent her to experience life among normal humans.
The Shao-Lom monks of Saturn’s moon Titan, whose teachings also stemmed from the pacifist Kree’s beliefs, mentored another possible Celestial Madonna: Earth-born orphan Heather Douglas, later known as Moondragon. But her sheltered life denied her insight into human existence and made her a less-rounded candidate when the time came for the Cotati to choose.
Mantis became associated with the Avengers after helping the ex-villain called Swordsman (Jacques Duquesne) turn his life around. Duquesne had been a mercenary working for her uncle, Monsieur Khruul, who had unwittingly hired Mantis as a bar girl, not knowing she was his niece. Sensing a spark of nobility in the Swordsman and seeking a better life, Mantis romanced and rehabilitated Duquesne, convincing him to return to America and rejoin the Avengers. Both were accepted to the team and proved to be valuable members, though Mantis was mistrusted at first. This was because she pretended to side with their enemy the Lion God, single-handedly taking down both Thor Odinson and Captain America (Steve Rogers) as part of her successful plan to help the Avengers defeat him. Still, her abilities served the Avengers well; she aided the team during the Avengers-Defenders War masterminded by Loki and Dormammu, and against other foes such as the Collector, Klaw, Ultron and Zodiac. Her empathic abilities helped save the universe when she deduced how Captain Mar-Vell could defeat the Cosmic Cube-empowered Thanos, Death’s would-be paramour.
Once she was a part of the Avengers, Mantis developed feelings for the Vision, attracted by his analytical mind and nobility. This caused friction between Mantis and Scarlet Witch, who was involved with the Vision romantically. Mantis was abducted by Kang the Conqueror alongside the Scarlet Witch and Agatha Harkness, in his attempt to learn who would be the Celestial Madonna; Kang believed that he would sire the Celestial Messiah. She was revealed as the Celestial Madonna and witnessed the death of the Swordsman at the hands of Kang, only realizing the depth of her love for the Swordsman just as he dies, and regretting her romantic overtures toward the Vision. After burying the Swordsman, at the temple of the Priests of Pama in Vietnam and battling the Titanic Three, she would learn the origins of the Kree-Skrull War, the Cotati, and the Priests of Pama. Mantis then formally joins the Avengers and is revealed to be, indeed, the Celestial Madonna. She ended up marrying a Cotati who took the form of the dead Swordsman, and, after their wedding, she left Earth in the form of pure energy, the same day of Vision and Scarlet Witch’s wedding . Merged with the Cotati’s essence, Mantis gained Cotati physical and mental abilities in addition to her own, and began to evolve into “the essence of life,” a change that physically manifested as a greenish hue in her skin.
After she bears her child Sequoia, she takes the name “Mandy Celestine” and lives with him for a year in Willimantic, Connecticut before handing him to his father’s people and going into space. In a search for enlightenment, Mantis traveled the galaxy, but only found violence and madness, which was often caused by the Mad Titan Thanos. She joined up with the Silver Surfer and traveled with him as he fought the Elders of the Universe, bonding romantically with him. When the Gardener attacked her using the Soul Gem, she barely escaped and transferred her essence across space to Shalla-Bal, the Surfer’s former lover on his home world of Zenn-La. The Elders subsequently captured both women and tried to destroy them, but Mantis sacrificed herself, allowing the Surfer to rescue Shalla-Bal. The power of the Elders’ Infinity Gems proved too much for Mantis, who could not fully reconstruct herself, and fragments of her essence formed several “shadow” Mantises, each unaware of the others and believing themselves to be the true Mantis. Some faded out of existence while others helped save the world—like an amnesiac green-skinned Mantis who awoke on Earth and aided the Avengers against the Voice and the High Evolutionary.
Aside from mentions by Silver Surfer, Mantis does not reappear for several years until 1995’s controversial Avengers crossover story “The Crossing”. In “The Crossing”, Mantis returns as the villainous bride of Kang the Conqueror with the intention of bringing death to the Avengers; her father Libra; and the Cotati alien who had possessed the Swordsman’s body and married/impregnated her. Her anger at her father (whom she had vivisected) and the Cotati center around their “defilement” of her and that she hates the Avengers for believing their manipulative lies. The storyline was so poorly executed and controversial that Kurt Busiek, in Avengers Forever limited series, retconned the Mantis who appeared in the story as being a Space Phantom brainwashed into thinking he was Mantis.
Eventually the one true Mantis returned and began to recover as her scattered essence coalesced on Earth into five forms, each reflecting an aspect of her personality: mother, lover, freak, mystic, and Avenger. Fearing Mantis (the Celestial Madonna) and her son (the Celestial Messiah) were a threat to him, Thanos pursued her “fragments” and Sequoia across time and space. He succeeded in destroying several of Mantis’s fragments, unknowingly hastening the reformation of the true Mantis, who was reborn as “the goddess of life.” Thus reformed, she and a group of the Avengers go into space to stop Thanos from killing her son, Quoi, who by this time is a rebellious teenager desperate to leave the isolation of the Cotati home-world and travel the stars. During the adventure, Mantis flirts with Vision (with the implication that she has sex with him), but ultimately ends the flirting when she realizes that he has feelings for his estranged wife Scarlet Witch, who is jealous of Mantis and Vision’s friendship.
Mantis returned to Earth, where her powers enabled her to sense the impending threat of the Annihilation Wave. She voyaged into space and allowed herself to be captured by the Kree as part of her plan to join Peter Quill’s Guardians of the Galaxy following the defeat of the Phalanx’s transmode virus. Quill and his allies thought that Mantis was slightly unhinged, not believing her story about being the Celestial Madonna, but she did help them defeat Ultron and the Phalanx, after which she took up residence on the Knowhere station with the rest of the Guardians of the Galaxy. She has assumed the role of counselor for the group, using her knowledge of the mind to maintain a balance with all the very eclectic personalities of the group. It was later discovered that Star-Lord had Mantis use her mental powers to manipulate the members of the Guardians of the Galaxy to join the team against their will. Overhearing Mantis and Star-Lord converse about their deception, Drax shared this knowledge with the rest of the team. This caused most of the members to leave. Mantis was promoted to field status by Rocket Raccoon.
Mantis was apparently killed by the Magus, who, upon anticipating that she would use her mental powers to incapacitate him, struck her and her fellow psionic Cosmo dead with a powerful blast of energy. However, it was revealed that she, along with fellow Guardians Phyla-Vell, Cosmo, Gamora and Major Victory were still alive, but being held prisoner in suspended animation by the Magus. She reunited with the other team of Guardians, telling Moondragon that Phyla-Vell was the first one killed by Thanos’ rampage.
Mantis settled into a serene civilian life on the planet Rigel-7 but later rescued Peter Quill from a group of pursuing Spartax soldiers when he sought her out to gain her counsel. Though she refused to join his new incarnation of the Guardians, she helped him track down the source of mysterious “time quakes” that had been plaguing him.
Most recently, Mantis returned to Earth upon being contacted by Black Panther about the Cotati invasion and planned to reason with her son, who under the influence of his father, became corrupted and intended to end all animal life in the galaxy. Mantis waged a mental battle with her son, but was unable to sway him from his path. She also helped the Thing and the Invisible Woman battle the She-Hulk when she was taken over by the Cotati.
Mantis was trained by the Priests of Pama to become a grandmistress of the martial arts She has only lost in hand to hand martial arts combat to Moondragon, and her father Libra. When it comes to her full range of powers, Mantis has complete control over her body. This gives her peak human agility, the ability to accelerate healing through force of will, and sense the emotions of others as psychic vibrations. She can also control her heart and respiratory rate as well as blood flow. She was able to perform an elaborate dance that hypnotized the Lion God, and is able to slip free of most bonds, and to slither and contort into impossibly tight spaces without breaking stride. Her mastery of the Priests’ martial arts, which focuses on the manipulation of nerve endings and pressure points, has enabled her to knock out beings as powerful as Thor. Her blows can shatter hardened steel without apparent effort. Mantis has engaged Captain America on equal footing, and was clearly superior to the version of Midnight (M’Nai) summoned to serve among the Legion of the Unliving. She could also reliably hit Quicksilver despite his speed. She has been shown sprinting at speeds that seem slightly superhuman – perhaps 50 km/h. Mantis has two slim antennae growing from her head that amplify her telepathic and empathic abilities. She is highly intelligent, with superior deductive abilities and an excellent intuition. Mantis is highly intelligent, with her deductive skills rivaling that of Vision’s; in Vision’s own words, she has a “remarkable mind”.
Mantis also possesses a limited knowledge of the occult, allowing her to sense magical presences around her, conduct simple rituals, know basic information about thaumaturgic manifestations and entities, etc. By meditating upon nearby magical energies, Mantis can gather basic information about it. Such as the caster’s identity and the spell’s general nature and purpose. Mantis also has a form of mystical awareness, warning her of cosmic occurrences and mounting malevolent mystical machinations. But these flashes of insight are rare and random. Mantis is able to make her body vibrate slightly out of synch with the universe, to exist as a ghost in a nearby dimension. In this form she can talk and perceive, but is immaterial.
Mantis gained additional abilities as a result of communion with the Prime Cotati. Her empathic ability enabled her to communicate with the plant-like Cotati and with other plant life. To travel in space, Mantis had the ability to separate her physical and astral forms, projecting her consciousness from her body, allowing her to travel interplanetary distances. She also had the ability to transfer her astral form to any place where plant life exists. She could form and inhabit a plant like simulacrum of her human body for herself out of the destination planet’s local vegetation. Her fighting skills remained intact, and her empathic abilities were heightened to a superhuman degree and extended to the planet’s flora and biosphere. She could control the vegetation within her vicinity.
During her confrontations with a powerful Thanos clone, she displayed superhuman strength, a talent to simultaneously inhabit multiple simulacra, and the ability to project strong blasts of energy, but has not been seen using these powers since. As of her appearance in Annihilation Conquest: Star-Lord, Mantis also appears to have gained telepathic and precognitive abilities, and now labors under a constant awareness of future events. The source of these new powers is as yet unclear. Other powers displayed or referred to during the series were pyrokinesis, mid-range mentat training, and invisibility to the Phalanx.
In her first appearances, Mantis represents the “Dragon Lady” archetype, that of a mysterious Eastern seductress whose sexuality causes tension among the male Avengers. It was frankly, a fairly racist interpretation of the character, but she just fascinated me. She is assertive and confident in her powers, and while she appeared somewhat arrogant at first (as illustrated by her breakup with Swordsman when she chose Vision over him), she renounced her pride after Swordsman’s tragic death. She almost always refers to herself in the third person as “this one”, “she”, and occasionally “Mantis”, which has to do with her upbringing at the Temple of the Priests of Pama. This speech mannerism is of importance for her, for when the Silver Surfer asked her to stop speaking in the third person, she refused to comply. After decades of intermittent appearances under the pen of Steve Englehart, I was very nervous about her transition to the Guardians of the Galaxy, under Dan Abnett and Andy Lanning, fearing she would be used as a joke, and while she was a source of humor, Mantis flourished while with the Guardians. I particularly enjoyed her closeness with Groot, and the fact that her inherent mystery continued on beyond the Avengers. The Celestial Madonna story, and Mantis’ time with the team is one of the high points from my comic book past, and insures her a spot in my Avengers Top 10, but her subsequent development with the Guardians give her the added boost to #1! And I have to say, never in my wildest imagination did I think i would ever see Mantis on big screen! Too bad that character is quite a bit different than the one in comics.