#30 – My Crazy Head, Desire Walks On (1993)
written by Ann Wilson, Nancy Wilson, Sue Ennis
Blending the acoustic with the electric in true Heart fashion, My Crazy Head is another standout from the Desires Walks On album; the fourth song to appear in the Top 40 from what is unquestionably the best of the Capitol Years albums, despite it not performing that great commercially. With an incredibly catchy chorus, Ann wanted it released as the first single, but in a hold-over from the “hit-maker” deal the band had signed with Capitol Records, they were forced to release Will You Be There in the Morning as the lead single. Cut form the same cloth as All I Wanna Do Is Make Love To You both were written by Mutt Lange, and his contract with Capitol required that anything he wrote had to released as a lead single. Interestingly enough, the band had moved on from treacly power-ballads and the song peaked at #39.
Lyrically, My Crazy Head is a bit disappointing; basically a love song, but with a slight twist about the relationship enabling her to get out of her own crazy head. There’s nothing really outstanding about the track, but it’s a tuneful stand out that sticks in my crazy head every time I listen to it.
#29 – Lost Angel, Jupiters Darling (2004)
written by Nancy Wilson
After Desire Walks On, Heart took a ten year break from recording before returning in 2004 with their thirteenth studio album, Jupiter’s Darling. This album was a definite return to their rock & roll roots, with a sprinkling of ballads and deft acoustic work thrown in . It also featured the addition of lead guitarist/producer Craig Bartock who remains with them to this day. Jupiter’s Darling sees Nancy Wilson taking a bit of creative control, producing with Bartock, and writing a hefty number of songs with Bartock as well, and on her own. She also sings lead vocals on five songs… definitely a record. And while Nancy has a perfectly lovely voice, why would you bother when you’ve got Ann Wilson on hand?
Jupiter’s Darling is a solid album, I like it well enough, but most of the songs don’t stand out enough to compete with the other tunes in my Top 40. All that is, save one. Lost Angel is a really lovely song, written by Nancy on her own, and as she says, is “a bit like a prayer.” I’ve got to hand it to Nancy, despite writing the song on her won, she was wise to let Ann take care of the powerful vocals. The song starts with Nancy’s gentle, rootsy, acoustic intro setting the tone for the first half of the song. When the second verse kicks in, so do the power chords and the drums, pushing Ann’s soaring vocals even further out front.
I love the pre-chorus, where Ann sings about birds bringing feathers of peace. It’s reminiscent of some of the balladry from Dreamboat Annie, yet sung from a place of road-weary experience, rather than the innocence… even naiveté of a band just starting out. Then toward the end, we get a little more Nancy’s truly exceptional guitar playing. It’s a heart felt song that avoids cheesiness, and almost sounds like it could be something lifted off a Bruce Springsteen album. Check out the studio and live versions below.
#28 Voodoo Doll, Desire Walks On (1993)
written by Ann Wilson, Nancy Wilson, Amy Sky, John Capek
Ann and Nancy have worked with Canadian avant-garde rocker, Dalbello, and recorded her songs. Desire Walks On sees them working together again, and I can’t imagine it’s a coincidence that after working with her, the Wilson sisters wrote Voodoo Doll. It’s dark, mysterious, drum-heavy sound is so reminiscent of Dalbello’s stellar Baby Doll from her 1987 album, She. They say imitation is the sincerest form of flattery, so I would call this more of an homage than plagiarism, because the songs really are remarkably similar.
The opening borrows some heavy industrial sounds acting as the drum beats, and the song is more keyboard heavy that your usual Heart number. Ann and Nancy harmonize great on this song, and Ann’s lead vocals are powerful, seductive and really just perfect for the song. It’s nice to see Heart branching out to try something different, and for me it’s one of the best songs on the album.
#27 Perfect Stranger, Private Audition (1982)
written by Ann Wilson, Sue Ennis
Heart is most well-known for their rockers and their great blend of electric and acoustic sounds, but they’ve got some great ballads too, some of which are rooted in folk. Perfect Stranger is powered by Nancy’s lovely, gentle 12-strong acoustic guitar work, layered with some strings arranged and conducted by Howard Leese.
I particularly love how the bridge builds with Ann and Nancy harmonizing to a really powerful third chorus, where Ann lets loose and alters the lyrics just slightly that is a nice story-telling twist and builds the emotion at the end. Some might think the song is fairly straight-forward, but I find it very melodic, and keeping with that early Heart sound.
#26 How Deep It Goes Dreamboat Annie (1975)
written by Ann Wilson
#26 marks the first of three songs to appear in my top 40 from the band’s debut album, Dreamboat Annie. The band was based in Vancouver, Canada at the time, and was recorded there and released in Canada in mid-1975. The album did very well in Canada, selling 30,000 copies in the first couple of months. It wasn’t released in the States until early 1976, where it was first released in Seattle, where the band hailed from originally, and played some club gigs before moving to Canada. It took off and quickly sold another 25,000 copies. The label took their time releasing it city by city and when their first single, Crazy On You hit, the album took off.
How Deep It Goes was written by Ann Wilson, and was the first single released in Canada. It didn’t do well, so they quickly followed up with Magic Man which was a hit. Talk about innocence, but with a complexity of musicality that was emblematic of beauty and talent behind Dreamboat Annie. The rolling piano parts, the gorgeous orchestration, Ann and Nancy’s acoustic guitar interplay, all serve to turn a simple love song into an intricate, musical chamber piece.
Ann’s voice is the picture of sweetness in the studio recording. Crystal clear, perfect pitch, filled with emotion. I’ve also included a live version of the song recorded in 2007 and taken from an album where the band performed the entire Dreamboat Annie life in concert. You can hear how Ann’s voice has aged and weathered over the years, but it’s just as clear, and more powerful than ever. It’s a song that Ann wrote in a different time, a different world, before their career took off and they went through the nasty rock & roll industry, the ups, the downs and everything in between. Listening to this song certainly transports me to a different time, in my mother’s living room, listening to this amazing, female-fronted rock band, opening my mind to a new kind of music. How deep it goes, indeed.